The "Passomeso in Basso" from Adriaenssen's Pratum Musicum 1584 features
two variations in a very odd anachronistic/visionary style:

It's basically the idea of "Alberti bass".

(m. 114 - 119 and 225 - 238)

http://gerbode.net/sources/Adriaenssen/pratum_musicum_1584/pdf/61_passomeso_in_basso.pdf


This style seems to come from nowhere, and it has to my knowledge never
been used afterwards.

But I haven't looked at everything.


Does anyone know any similar passage in that era?

And: is there a recording of the piece? It is probably the most
elaborate and creative Passamezzo ever.

I use it as exercise - feels like training for a marathon.


:)
T*




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