Hi Rainer and all,
For those who didn't check out these examples, they all involve a
simple melody where Milan drops down to an open string resulting in a
minor third jump rather than using a half or whole step which would
better match as an imitation.
For example, instead of
I always feel compelled to "correct" these instances, because to me it
just does not sound right as is, and it's no big deal to play the 4 on
the next course. To me, the bottom line is what sounds good.
--Sarge
On 10/14/2019 13:34, r.ba...@gmx.de wrote:
Something a bit similar is where one fi
Maybe it's really just an error...
Real playability-friendly "errors" can be found in Newsidler's pieces,
where he uses a chromatic coloring of the cadence to avoid a fast
stretch to the 4th fret.
On 14.10.19 22:34, r.ba...@gmx.de wrote:
Hi Rainer and all,
For those who didn't chec
-old-mail.cs.dartmouth.edu
on behalf of Frank A. Gerbode,
M.D.
Sent: Monday, October 14, 2019 9:17 PM
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: A strange "error" in Maestro
I always feel compelled to "correct" these instances, because to me it
just
nt: Monday, October 14, 2019 9:17 PM
Cc: [5]lute@cs.dartmouth.edu [6]
Subject: [LUTE] Re: A strange "error" in Maestro
I always feel compelled to "correct" these instances, because to me it
just does not sound right as is, and it's no big deal to play the 4 on
Am Dienstag, 15. Oktober 2019 08:48 CEST, Alain Veylit
schrieb:
>I cannot read this thread without thinking about Spinacino's duets,
>particularly the setting of Ghiselin's Jolis amours: are the notes
>wrong or is it our ears? Yet, I had found a very convincing rendition
>of
Music performed from ipad?
RA
__
From: [2]lute-...@new-old-mail.cs.dartmouth.edu
[3] on behalf of Frank A. Gerbode,
M.D. [4]
Sent: Monday, October 14, 2019 9:17 PM
Cc: [5]lute@cs.dartmouth.edu [6]
S
I am working on an edition of Spinacino v.1 (1507) and have run across
these 2 extremely dissonant duets.
I am not personally a big fan of gratuitous dissonance (diabolus in
musica). Dissonance that serves a purpose, as in Dowland, yes.
Dissonance as a passing note, yes. Dissonance
I hear ya, Sarge.
Most pieces connected to Ghiselin in Spinacino aren't for the
faint-heared. (ditto Kyrie de les armes) I don't know why. Isn't there
a concordance in the Buxheim Organ book? Maybe make two edits: the
first faithful and the second with ficta suggestions from the chan
editions from the print in preparation for the recording.
Hope this helps.
Best wishes,
Denys
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Frank A. Gerbode, M.D.
Sent: 20 June 2020 20:29
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: A strange "er
I imagine that they would have made their own performing
editions from the print in preparation for the recording.
Hope this helps.
Best wishes,
Denys
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Frank A. Gerbode, M.D.
Sent: 20 June 2020 20:29
To: lute@
@cs.dartmouth.edu
Subject: [LUTE] Re: A strange "error" in Maestro
Thanks, Denys. Very helpful and thoughtful comments. There are a
handful of instances I have encountered in v.1 of Spinacino where
corrections were written in, possibly by Petrucci himself. In any
case,
these
at they would have made their own performing
editions from the print in preparation for the recording.
Hope this helps.
Best wishes,
Denys
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Frank A. Gerbode, M.D.
Sent: 20 June 2020 20:29
To: lute@cs.da
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