: David Tayler [2][EMAIL PROTECTED]
To: lute-cs.dartmouth.edu [3]lute@cs.dartmouth.edu
Sent: Wednesday, July 25, 2007 3:11 AM
Subject: [LUTE] Re: Capirola question, now lute classical guitar
Stephan hat geschrieben:
As far as I can see, lute and guitar are as separated in the
conservatories and so
On Jul 25, 2007, at 6:11 AM, David Tayler wrote:
I do think we have to get away from any idea that one style is better,
or more authentic, that is the undercurrent that prevents us from
exploring all the possibilities of the instrument, limiting us
somewhat to Historically Blurry
Sent: Wednesday, July 25, 2007 3:11 AM
Subject: [LUTE] Re: Capirola question, now lute classical guitar
Stephan hat geschrieben:
As far as I can see, lute and guitar are as separated in the
conservatories and so on as
cembalo and piano, probably even more, because you still have some
Stephan hat geschrieben:
As far as I can see, lute and guitar are as separated in the
conservatories and so on as
cembalo and piano, probably even more, because you still have some
pianists who
occasionaly try to accompany someone on the cembalo. While we usually
think that the HIP
movement has
In a message dated 7/25/07 1:01:29 AM, [EMAIL PROTECTED] writes:
it's interesting to see that
it still can be reasonable to play lute instruments with guitar technique
(with only minor
adjustments).
While I may be wrong, I believe that Gary was not referring to playing the
lute with
-
From: David Tayler [EMAIL PROTECTED]
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Wednesday, July 25, 2007 3:11 AM
Subject: [LUTE] Re: Capirola question, now lute classical guitar
Stephan hat geschrieben:
As far as I can see, lute and guitar are as separated in the
conservatories and so
