I wasn't aware of this, but logically it's not surprising since, after
all, both tablature and staff notate specific pitches within a scale,
each mark denoting only one pitch.
On Mon, Oct 30, 2017 at 5:21 AM, Ed Durbrow
<[1]edurb...@sea.plala.or.jp> wrote:
On Oct 6, 2017, at
On Oct 6, 2017, at 5:37 AM, Matthew Daillie wrote:
> The clavichord is an early keyboard particularly well suited to playing
> some lute music as it, too, is capable of dynamics (as indeed are some
> harpsichords when in the right hands, although obviously not to
Am 07.10.2017 um 20:10 schrieb Gary Boye:
That's the main problem with the Spinacino: there's very
little else to compare his works to . . .
When I was playing Spinacino I found he most compared to the Capirola
style, especially in the Ricercars (but not so much to the
contemporaries
From: Gary Boye <[6]boy...@appstate.edu>
To: Arthur Ness <[7]arthurjn...@verizon.net>
Cc: Lutelist <[8]lute@cs.dartmouth.edu>
Sent: Thu, Oct 5, 2017 2:29 pm
Subject: [LUTE] Re: Interesting perspective on Spinacino & Petrucci
Arthur,
Do you agree with his st
gt;
> -Original Message-
> From: Gary Boye <boy...@appstate.edu <mailto:boy...@appstate.edu>>
> To: Arthur Ness <arthurjn...@verizon.net <mailto:arthurjn...@verizon.net>>
> Cc: Lutelist <lute@cs.dartmouth.edu <mailto:lute@cs.dartmouth.edu>>
>
t;
Cc: Lutelist <lute@cs.dartmouth.edu>
Sent: Thu, Oct 5, 2017 2:29 pm
Subject: [LUTE] Re: Interesting perspective on Spinacino & Petrucci
Arthur,
Do you agree with his statements about Spinacino?
I'm a little uncomfortable about the dismissiveness towards this work.
One thing, which can't be argued though, is that the sound of the lute
is SO much more appealing, than those keyboards, (possibly excepting
the Lautenwerk) could ever be. :)
G.
On Thu, Oct 5, 2017 at 10:37 PM, Matthew Daillie
<[1]dail...@club-internet.fr> wrote:
--
Many early keyboard players would surely be taken aback by your
comments Ron, especially those who have devoted their whole careers to
renaissance and baroque music. Nobody is suggesting that Spinacino
should be played on a Steinway.
Keyboard intabulations of four part vocal music
Lukas Henning devoted the ninth episode of his series of Memo videos to
this same topic, although I think he did revise some of his strong
negative opinions in a later episode.
http://www.musicamemo.com/archive-2.html
Best,
Matthew
On 05/10/2017 20:28, Gary Boye wrote:
Arthur,
Do you
Arthur,
Do you agree with his statements about Spinacino?
I'm a little uncomfortable about the dismissiveness towards this work.
Stanley Boorman's Ottaviano Petrucci: catalogue raisonné outlined
the unusual history of these early books and noted that the scale of
production
Yes, indeed, IMO Segni's ricercars in lute clothing are superb!
Especially recercar quinto from Da Crema's libro terzo 1546 which has
concordances all over the place (Matelart, 2.11, Siena, etc.) is a real
fav. And they are really quite player-friendly although purportedly
It is an interesting quest, to seek relations between keyboard and
lute music.
One of the most eminent organists of the day was Julio (Giulio) Segni
da Modena--mentioned often in Glen Wilson CD notes.
He was first organist at St. Mark's Basilica, and is said to have
published
Glen Wilson always seems to produce thoroughly researched and
thought-provoking liner notes for his recordings. He has done a great
service to the early music community by releasing a series of CDs
devoted to the unjustly neglected keyboard music of a number of
renaissance composers. I also
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