There's no one answer to that as I play the Maria Vespers often, and
under many different conductors. But in short, yes, I've played the
bassus generalis part of the Et Misericordia on theorbo, also in the
sections when only the cantus, sextus and altus sing, both in original
pitch a
On Dec 29, 2014, at 11:20 PM, David van Ooijen wrote:
> Usually I'm tacet there, but the occasional conductor does asks for uncle
> Theo.
And does that include avuncular accompaniment in the parts that are for higher
voices only?
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On 2014-12-30 9:27 AM, Christopher Wilke wrote:
The Kurtzman edition of the Vespers includes a keyboard realization in this
style that may (or may not) serve as a
I've found most keyboard realizations useless for lute. The way
keyboards play chords is completely different from the way lutes
st and Composer
www.christopherwilke.com
On Tue, 12/30/14, Monica Hall wrote:
Subject: [LUTE] Re: Monteverdi 1610 Vespers Et Misericordia
To: "howard posner"
Cc: "Lutelist"
Date: Tuesday, December 30, 2014, 5:54 AM
But it i
theorbo is an appropriate accompaniment I don't know but the organ was/is
often appropriate in Spanish sources.
As ever
Monica
- Original Message -
From: "howard posner"
To: "lutelist Net"
Sent: Tuesday, December 30, 2014 7:43 AM
Subject: [LUTE] Re: Monteverdi 161
On Dec 29, 2014, at 11:20 PM, David van Ooijen wrote:
> 6-part polyphony, that's rather modern for Medieval music.
But mostly three parts at a time...
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6-part polyphony, that's rather modern for Medieval music. Usually I'm
tacet there, but the occasional conductor doesA asks for uncle Theo.A
On Tuesday, December 30, 2014, howard posner
<[1]howardpos...@ca.rr.com> wrote:
Has anyone ever played theorbo in this part of the Magnifica
