This conversation on the use of tablature is most interesting. I recall
(without citing the article) that over 20 years ago, there was a convention
for lute musicologists, and the panel had around 4-5 distinguished scholars
on the lute & its music. The subject was transcribing lute tablature in
Well, one correction:
I wrote:
> I prefer tabulature for solo and (of course) "normal" notation (only
> the numbered bass) for continuo.
In continuo I very much need/want to have also the music of the
singer/singers/player/players I accompany. Especially in early
baroque monody!
All the best
