Kwasniewski
Gesendet: Montag, 2. November 2015 23:07
An: Sean Smith
Cc: [4]lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Repertoire questions
Is this the one you are referring to --
[1][5]http://www.earlymusicshop.com/product.aspx/en-GB/1095936-girolamo
-da
lla
Yes.
On Nov 2, 2015, at 2:06 PM, Peter Kwasniewski wrote:
Is this the one you are referring to --
[1]http://www.earlymusicshop.com/product.aspx/en-GB/1095936-girolamo-da
lla-casa-and-giovanni-bassano-divisions
Peter
On Mon, Nov 2, 2015 at 12:48 PM, Sean Smith <[2]lutesm...@mac.com>
Montag, 2. November 2015 23:07
An: Sean Smith
Cc: lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Repertoire questions
Is this the one you are referring to --
[1]http://www.earlymusicshop.com/product.aspx/en-GB/1095936-girolamo-da
lla-casa-and-giovanni-bassano-divisions
Peter
On Mon, Nov
Is this the one you are referring to --
[1]http://www.earlymusicshop.com/product.aspx/en-GB/1095936-girolamo-da
lla-casa-and-giovanni-bassano-divisions
Peter
On Mon, Nov 2, 2015 at 12:48 PM, Sean Smith <[2]lutesm...@mac.com>
wrote:
Hi Peter,
There are the divisions on
Hi Peter,
There are the divisions on vocal repertory from the latter half of the 16th
century. Either lute or organ could play the original chanson and the other
could take the fancy bits. The London Pro Musica editions work nicely - for
example #13, Divisions on Vestiva i colli (Palestrina),
Hi all
Perhaps my very old (1994!) "lute continuo school" is for some help to
continuo beginners? See
http://www.cs.helsinki.fi/u/wikla/mus/continuo.pdf
Arto
On 02/11/15 20:28, Peter Kwasniewski wrote:
Geoff,
Many thanks for your note. I can see that the real solution for my
ch
On 2015-11-02 1:28 PM, Peter Kwasniewski wrote:
Many thanks for your note. I can see that the real solution for my
children is simply to forge ahead with the figured bass, otherwise it
won't be possible!
It's not too hard to work out a figured bass on lute because there are
fairly limited chor
Geoff,
Many thanks for your note. I can see that the real solution for my
children is simply to forge ahead with the figured bass, otherwise it
won't be possible!
Meanwhile, Arto Wikla sent me a PDF of the Robert Dowland score, for
which I am very grateful.
Peter
On Mon, No
On 2015-11-02 11:56 AM, Peter Kwasniewski wrote:
I am looking for repertoire for organ and lute -- either purely
instrumental, or in accompaniment of solo or choral voices. I am
wondering if there are some scores that combine lute tablature with a
fully realized keyboard part, as
Well, there are Pittoni's Sonatas da chiesa and da camera for theorbo
with a continuo part for organ and cembalo respectively. Also
Kapsberger's third and fourth chitarrone books with a continuo part
that could be done on keyboard. No written out parts that I know. Also,
those works
Hi Peter,
Dowland's son Robert published Amarilli with written out tabulature in
1610 in his "Musicall Banquet". It is to 7 course lute, but easily
adopted to 6 courser.
Arto
PS If you wish, I can take a photo of those 2 pages and send them to you.
On 02/11/15 18:56, Peter Kwasniewski wrot
Organ played on its quieter stops, as an accompaniment instrument.
On Mon, Nov 2, 2015 at 10:02 AM, [1]r.turov...@gmail.com
<[2]r.turov...@gmail.com> wrote:
Lute and organ combo would create unsolvable balance problems,
wouldn't it?
RT
On 11/2/2015 11:56 AM, Peter Kwas
Lute and organ combo would create unsolvable balance problems, wouldn't it?
RT
On 11/2/2015 11:56 AM, Peter Kwasniewski wrote:
Dear everyone,
I'm new to this list. For introduction, I'll simply say that I'm a
great lover of medieval, Renaissance, and Baroque music, a composer of
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