Hi,
I also noticed this:
Il ballarino di M. Fabritio Caroso da Sermoneta, diuiso in due trattati
m
__
From: G. Crona
To: Lutelist
Sent: Fri, October 22, 2010 7:58:44 AM
Subject: [LUTE] Resources
Dea
2010 2:45 PM
Subject: [LUTE] Re: Resources
Hi,
I also noticed this:
Il ballarino di M. Fabritio Caroso da Sermoneta, diuiso in due trattati
m
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks for this lead!
I've just downloaded Laute und Lautenmusik.
[1]http://ia311326.us.archive.org/2/items/lauteundlautenmu00krrich/laut
eundlautenmu00krrich.pdf
Quite a historic volume in its own right (1901). And looks like a good
read, though it's going to take me a LONG t
On Fri, 22 Oct 2010 15:30:18 +0100, Peter Martin wrote
> Thanks for this lead!
>
>I've just downloaded Laute und Lautenmusik.
>
>on page 17, taking an example from Neusidler, he suggests that an
>quarter note C followed by eighth notes C and D should be interpreted
>as a dotted qu
The missing dot + extra short value note is quite common in
intabulations in this time, such as Neusidler and Spinacino. It
happens throughout Spinacino (eg, Sidedero, Bk II, 29v) and he
frequently used dotted values as well. It also occurs between mensural
notation sources. Tsat een mesk
The dot of augmentation (not division) is a performance option which
is technically not an ornament, although it can be used as such. The
dot is integral to the polyphonic web. It would be a mistake to
assume that there is a correct version--different mss often show
variations in dots and ties.
