At 02:53 AM 6/12/2006, [EMAIL PROTECTED] wrote:
>Wasn't some of his lute music composed in Prague?
Yes, and the manuscript bears the following text:
CONCERTO
con 2 Violini Leuto, e Basso
Del Vivaldi
P.S.E. [i.e. Per Sua Eccellenza] Il Conte Wrttby
FR
--
No virus found in this outgoing m
At 02:53 AM 6/12/2006, [EMAIL PROTECTED] wrote:
>Wasn't some of his lute music composed in Prague? Someone on this list
>pointed out
>that it could even be intended for mandora in this case.
Indeed. I think this is the correct citation for the published argument:
Liefeld, E. 2002/2003. Ponderin
Wasn't some of his lute music composed in Prague? Someone on this list pointed
out
that it could even be intended for mandora in this case.
Regards,
Stephan
Am 11 Jun 2006 um 19:43 hat Sal Salvaggio geschrieben:
> Hi
>
> A dminor 11 or 13th course works - so does a G lute of
> some sort- I'v
Hi
A dminor 11 or 13th course works - so does a G lute of
some sort- I've played it on a G lute and it works
well
- a lot of careful fingering on the G lute has to be
done though - some say it was written for a visiting
german lutenist who happened to play the Dm lute -
good heavens...could it
Thanks to all who send very helpful advice, on and off-list, concerning the
correct instrument for the Vivaldi lute concerto in D-major. I've had a very
enjoyable day playing through the concert on a'-lute (Yes, I'll do it on my
little sportscar a'-lute!) and archlute (No, the bigger archlute is
I have referred David off-list to Bob Spencer's essay which accompanies
Jakob Lindberg's recording of the complete Vivaldi lute works on BIS, but I
recommend the article to you all as well. Spencer argues pretty
convincingly for the use of the arciliuto, summing up:
>From about 1614 in Italy l
Hello, David. I have performed this concerto numerous times, and I have
done it many different ways I have used a g lute, and an archlute. I
have used an alto in a, and most recently, I used a soprano lute in d. I
actually favor the higher pitched instruments, because it is clearer in the
