Stuart and All,
I'd try to find some of the London Pro Musica division viol series on
popular songs like "Susanne Un Jour" and "Frais et Gailliard" with
divisions by Bassano and others.
The divisions for recorder or viol are challenging, but the continuo
parts, in lute tablature
Sent: Thursday, January 21, 2016 10:07 AM
To: s.wa...@ntlworld.com; Lute@cs.dartmouth.edu
Subject: [LUTE] Re: looking for Baroque music for treble recorder with continuo
for 8-course Renaissance lute
Stuart and All,
I'd try to find some of the London Pro Musica division viol series on
On 21/01/2016 15:42, Anton Hoeger wrote:
I really don't understand some of you lute players. I wrote these kind
of intabulations since 30 years, and every week writes an lute
player,...do you know anyWhy did not you look on my page?
I don't understand why you ignore my hard wor
> On Jan 21, 2016, at 2:32 PM, jsl...@verizon.net wrote:
>
> Finally, the very term "baroque" was coined to describe extravagant or
> even bizarre ornamentation. The divisions of Bassano and his
> contemporaries can be viewed as examples of this style.
"Baroque" is a n art historians’ term
> On Jan 21, 2016, at 9:16 PM, howard posner wrote:
>
> "Baroque" is a n art historians’ term
I decided to abort that message, but hit send instead of delete.
I was going to [not] point out that "baroque music” means no more than “music
written during the period that art historians, for rea
Indeed, unless you set your lutes on fire, the Baroque flamboyant has
little to do with the history of music.
I have been personally guilty of over simplification, mostly because I
had to organize my computer folders according to some kind of scheme. I
won't go into the kind of geographical dist
