Regional Iconography 4.
RT
> > There is also a Gallichone from the same museum that seems to have been
> > popular among the Ukrainians as well, see REGIONAL ICONOGRAPHY section.
>
> Couldn't find it. Which is it?
>
> Best,
>
> Mathias
> --
>
> To get on or off this list see list information a
"Roman Turovsky" <[EMAIL PROTECTED]> schrieb:
> There is also a Gallichone from the same museum that seems to have been
> popular among the Ukrainians as well, see REGIONAL ICONOGRAPHY section.
Couldn't find it. Which is it?
Best,
Mathias
--
To get on or off this list see list information at
ht
I have an interesting photo of the Prague museum Angelique (thanks to Greet
Schamp!!!) that clearly shows torban's lineage. See chapter 3 in
http://polyhymnion.org/torban
There is also a Gallichone from the same museum that seems to have been
popular among the Ukrainians as well, see REGIONAL ICONO
I have quite a few interesting updates, mainly (but not only) in the
Regional Iconography pages
at
http://polyhymnion.org/torban
Enjoy,
RT
bill,
I can't imagine what that monster was, nor can I remember the sound (it was
about 55 years ago when I listened to him on the radio). I get the feeling
that the text may be a bit of a "puff piece", he wasn't that good. A weak
voice, but a sense imparted of the older music. Very proper in phra
Have you no sense of humor, sir? Must everything revert to the conventional
wisdom of "these days"? Or perhaps a sense of proportion - it was Niles who
introduced me to the whole idea of "early" folk music, whether faux or real
(and I don't know how you define the latter). I started with the Scots
before my time, i'm afraid but what do you call that instrument he
played (http://www.john-jacob-niles.com/). looks like an absolute
monster!
On Sabato, mag 8, 2004, at 07:54 Europe/Rome, Jon Murphy wrote:
> bill, what ever happened to John Jacob Niles?
>
> Best, Jon
>
>
Niles these days is considered to have been an excellent and important
composer-songwriter of faux-folk songs.
RT
__
Roman M. Turovsky
http://polyhymnion.org
> bill, what ever happened to John Jacob Niles?
>
> Best, Jon
>
>
>
bill, what ever happened to John Jacob Niles?
Best, Jon
On Venerdì, mag 7, 2004, at 14:09 Europe/Rome, Roman Turovsky wrote:
> the era of Theodore Bikel is over
maybe...
but burl ives lives forever; the kingston trio too!
chad mitchell trio...phil okes...
frederick and nina (what!?!)...
fraternally yours - bill
> Conversation over, both on and off list. I'm sorry about that, and I
> certainly will continue to read your posts - I learn from them sometimes.
Good. Times have a-changed a bit, the era of Theodore Bikel is over.
RT
> Jon, this is really of no interest to this lutelist, and you should have
> kept it private.
Roman,
You opened it on the lutelist with unmannerly comments to me, rather than
more gentle language - we continued it in private , and I would have
accepted your above quoted suggestion. But in the re
> I have just gone to your site for the first time, and listened to those
> Ukrainian folk songs that you have set up on MIDI. They are beautiful. I
Thank you.
> bring our conversation back on list to this purpose. Why is it that I can
> accept and love the folk traditions of your heritage, and yo
I have neglected to provide the synopsis for the unannounced item BETWEEN
the 2, "Zakuvala Zazulen'ka":
"The Cuckoo sings in a cherry orchard, a mother prepares her son to go off
to Caesar's war."
A part of Ukraine was in Austro-Hungarian domain until 1919.
RT
> One more item, from ca. 1800 (13-cou
Roman,
I have just gone to your site for the first time, and listened to those
Ukrainian folk songs that you have set up on MIDI. They are beautiful. I
bring our conversation back on list to this purpose. Why is it that I can
accept and love the folk traditions of your heritage, and you call mine
One more item, from ca. 1800 (13-course)
Synopsis:
"A young girl asking her grandmother's advice. She cannot stop dreaming of a
certain cossack".
http://polyhymnion.org/lieder/lieder.html
RT __
> I have just posted another Ukrainian folk song with obbligato
> Torban/Baroque-Lute, at
> h
I have just posted another Ukrainian folk song with obbligato
Torban/Baroque-Lute, at
http://polyhymnion.org/torban/torban4.html
This time there is no bloodshed in it. The synopsis is:
"Dear Moon, shine your light on no one, except my sweetheart, when he walks
home".
Enjoy,
RT
I have just put up a photo of the Royal College of Music Torban (seems to be
identical with the Razumovsky Torban in Vienna), for those interested.
http://polyhymnion.org/torban
Chapter IIIb
RT
Dear e-friends,
I have posted a few more extraordinary Ukrainian folk songs adapted for
Baroque Lute (with sound-files) at
http://polyhymnion.org/torban/torban4.html
Enjoy,
RT
__
Roman M. Turovsky
http://turovsky.org
http://polyhymnion.org
I have some interesting new material in the iconography department at
http://polyhymnion.org/torban ,
for those interested.
RT
__
Roman M. Turovsky
http://turovsky.org
Dear e-friends, et chers e-amis,
I have posted a PDF of a remarkable set of variations on a rather bitter
Ukrainian folk song which dates from ca. 1780. It laments the abolition of
the last remaining Ukrainian liberties by a decree of Catherine "the great".
MP3 is included (all on page 4)
http://po
I have just posted the Poznan Museum Torban spec sheet by Alicja Knast at
http://polyhymnion.org/torban
The link is in "Chapter III" for those interested.
RT
Dear e-friends,
Just to let you know that the ICONOGRAPHY section at
http://polyhymnion.org/torban
has grown twofold and now is in 2 parts, with a dozen more reproductions of
the 19th century postcards full of fascinating details.
Enjoy,
RT
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