Re: VIRGIL: Eclogues: Art and Theatre

1999-06-24 Thread James Pfundstein
At 5:47 PM +0100 6/24/1999, TA Saunders, Department of Classics & Ancient History wrote: >Dear List, > >Two areas of interest which are currently occupying me in my study of >the Eclogues are their relationship to pictorial art and to the Roman >theatre. I have already found a number of articles an

Re: VIRGIL: translations

1999-06-16 Thread James Pfundstein
>Date: Wed, 16 Jun 1999 13:42:28 -0400 >From: Lena Friesen <[EMAIL PROTECTED]> > >Hello all-- > >I'm new here, so pardon me if this has been discussed before - I was >wondering what the better translations are of the Aeneid, I own the Knight >and West prose versions already, are there any else? I

Re: VIRGIL: re: Why A Horse?

1999-04-06 Thread James Pfundstein
At 3:27 PM -0400 4/6/99, RANDI C ELDEVIK wrote: >James, > Granted, I may be overinterpreting, but let's remember that Athena >was also a war-goddess. I think what I've said about the importance of >horses for military victory and conquest fits in nicely with the horse >being a gift to Athena,

VIRGIL: re: Why A Horse?

1999-04-05 Thread James Pfundstein
(Context follows:) Too much might be made out of the fact that Homer calls the Trojans "hippodamoi." It's a fairly general heroic epithet in Homer-- a quick glance at LSJ shows that the word is used of Agamemnon (the dream at the beginning of Iliad 2 calls Agamemnon "heudeis Atreos huie daïphronos