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Lately it seems that we can’t get away from the hard, simple fact that art
requires labour — both in the actual creation and in the conditions that
make it possible.

Where there’s labour there’s normally a lot of hard work and sacrifice. And
where there’s hard work and sacrifice, there’s normally some bastard at the
top looking to squeeze as much as they can out of those of us who actually
work.

Much as some of us would love to act like art exists in a separate realm
from all of this, it doesn’t.

Here’s a brief run-down of the past few years. South Korean assembly
workers at Cort Guitars, laid off by the company several years ago, have
waged an international campaign to get their jobs back.

In Britain, retail workers at music retailer HMV have not only managed to
hijack the company’s Twitter account but barricade themselves in their
stores until their paychecks were delivered as promised.

In the US, San Francisco Bay Area staff at the Legion of Honor and De Young
Memorial art museums have gone toe-to-toe with management over the
introduction of a “two-tiered” wage system. And this is against the
backdrop of apparently never-ending labour disputes involving orchestra
musicians from Detroit to New York City, from Chicago back to the Bay Area.

Now, it’s Guitar Center’s turn — the world’s largest retailer of musical
instruments and accessories. In early April, workers at their flagship
store in New York City announced their intention to form a union through
the Retail, Wholesale and Department Store Union, a subsidiary of the
United Food and Commercial Workers.

http://www.greenleft.org.au/node/54016

-- 
“Disobedience, in the eyes of anyone who has read history, is humanity’s
original virtue. It is through disobedience that progress has been made,
through disobedience and through rebellion.” — Oscar Wilde, Soul of Man
Under Socialism

“The free market is perfectly natural... do you think I am some kind of
dummy?” — Jarvis Cocker
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