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THE ANTINOMIES OF REALISM

by FREDRIC JAMESON



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AVAILABLE NOW

http://www.versobooks.com/books/1498-the-antinomies-of-realism



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“This latest installment in his epic ‘poetics of social form’ is vintage 
Jameson: no other critic has his range of reference in literature and theory, 
and no one dialecticizes their connections to politics and history with 
anything like his transformative energy. Not since Auerbach has ‘realism’ been 
so penetratingly analyzed or so radically rethought. With many surprises along 
the way—such as the new centrality Jameson affords ‘affect’ in the realist 
novel—the results are absolutely stunning.” – Hal Foster, Princeton University



“Probably the most important cultural critic writing in English today . . . it 
can truly be said that nothing cultural is alien to him.” – Colin MacCabe



“The most muscular of writers.” – Times Literary Supplement



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A groundbreaking analysis of the nineteenth-century novel



THE ANTINOMIES OF REALISM is a history of the nineteenth-century realist novel 
and its legacy told without a glimmer of nostalgia for artistic achievements 
that the movement of history makes it impossible to recreate. The works of 
Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense 
inimitable, yet continue to dominate the novel form to this day. Novels to 
emerge since struggle to reconcile the social conditions of their own creation 
with the history of this mode of writing: the so-called modernist novel is one 
attempted solution to this conflict, as is the ever-more impoverished variety 
of commercial narratives—what today’s book reviewers dub “serious novels,” 
which are an attempt at the impossible endeavor to roll back the past.



Fredric Jameson examines the most influential theories of artistic and literary 
realism, approaching the subject himself in terms of the social and historical 
preconditions for realism’s emergence. The realist novel combined an attention 
to the body and its states of feeling with a focus on the quest for individual 
realization within the confines of history.

In contemporary writing, other forms of representation—for which the term 
“postmodern” is too glib—have become visible: for example, in the historical 
fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. 
Contemporary fiction is shown to be conducting startling experiments in the 
representation of new realities of a global social totality, modern 
technological warfare, and historical developments that, although they saturate 
every corner of our lives, only become apparent on rare occasions and by way of 
the strangest formal and artistic devices.



In a coda, Jameson explains how “realistic” narratives survived the end of 
classical realism. In effect, he provides an argument for the serious study of 
popular fiction and mass culture that transcends lazy journalism and the easy 
platitudes of recent cultural studies.


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FREDRIC JAMESON is Distinguished Professor of Comparative Literature at Duke 
University. The author of numerous books, he has over the last three decades 
developed a richly nuanced vision of Western culture's relation to political 
economy. He was a recipient of the 2008 Holberg International Memorial Prize. 
He is the author of many books, including POSTMODERNISM, OR, THE CULTURAL LOGIC 
OF LATE CAPITALISM, THE CULTURAL TURN, A SINGULAR MODERNITY, THE MODERNIST 
PAPERS, ARCHAEOLOGIES OF THE FUTURE, BRECHT AND METHOD, IDEOLOGIES OF THEORY, 
VALENCES OF THE DIALECTIC, THE HEGEL VARIATIONS and REPRESENTING CAPITAL.



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Hardback / ISBN: 9781781681336 / $34.95 / £20.00 / 432 pages

Also Available as an Ebook


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For more information on THE ANTINOMIES OF REALISM

or to buy the book visit: 
http://www.versobooks.com/books/1498-the-antinomies-of-realism



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