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Comrades might remember my blog post about dropping a documentary class 
at Columbia.

http://louisproyect.wordpress.com/2010/10/22/dropping-a-film-class-at-columbia-university/

Basically I expected some kind of survey class about the development of 
the genre but was instead force-fed the professor's "critical theory" 
approach which revolved around the question whether such films convey 
reality or not. Her approach was a mixture of Derrida and Social Text 
post-Marxism, very much not to my taste.

It turns out that the film department at Columbia is fairly ripe with 
this stuff, based on an article in today's NYT magazine:

November 26, 2010
The Professor of Micropopularity
By CARLO ROTELLA

ON A MONDAY evening in September, James Schamus and a dozen students in 
his graduate seminar in film theory at Columbia University were 
discussing the dialogues of Plato. Each participant who spoke called on 
the next speaker, and Schamus gave the group plenty of leeway to tussle 
with the text, but every once in a while he raised his hand and 
intervened to guide the conversation. The course was called Seeing 
Narrative, and the discussion centered on Plato’s skepticism about the 
ability of any visible thing to represent ideal truth — a skepticism 
that, say, a bunch of beautiful images strung together in a movie could 
communicate the perfect, invisible idea of Beauty.

Schamus, in bow tie and jacket, his mobile face alight with intentness, 
said: “In Plato, the philosopher’s job is to love knowledge, logos, but 
it’s always corporealized, and the body fools your senses, your 
perceptions. The soul is invisible and doesn’t change, and it wants to 
connect to other such invisible, unchanging things” — including Truth 
and Beauty in their ideal forms — “but it’s trapped in a body that’s 
always taking it to visible things that are never the same.”

full: http://www.nytimes.com/2010/11/28/magazine/28Schamus-t.html


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