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Review-a-Day

Tuesday, April 22, 2008
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The Atlantic Monthly

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The Rise of a President and the Fracturing of America
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Perlstein
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reviews from The Atlantic Monthly
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The Rise of a President and the Fracturing of America
by 
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Perlstein

E Pluribus Nixon
A Review by Ross Douthat

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a comment about this review on the Powells.com blog

Seven years ago, Rick Perlstein, a young and 
decidedly left-wing historian, accomplished a 
daring feat: he imagined his way into the hearts 
and minds of the right-wing idealists who made 
Goldwaterite conservatism one of the most 
successful mass movements of the 1960s. The 
result was Before the Storm: Barry Goldwater and 
the Unmaking of the American Consensus, a richly 
detailed narrative of the 1964 election, and a 
dense and dizzying account of a moment when 
America was teetering on the verge of a nervous 
breakdown but didn't know it yet.

Now Perlstein has produced a sequel. If Before 
the Storm was a near-masterpiece, Nixonland: The 
Rise of a President and the Fracturing of 
America, which covers the turbulent years from 
Goldwater's defeat to Nixon's 1972 landslide 
victory, is merely a great success. It labors 
under handicaps his first book didn't have: 
whereas Before the Storm dealt with a 
circumscribed and neglected moment (who remembers 
Dr. Fred Schwarz's Christian Anti-Communism 
Crusade, or the presidential boomlet for William 
Warren Scranton?), Nixonland tackles the most 
obsessed-over era in recent American history. Any 
book that rolls Woodstock and Watergate, the 
death of RFK and the Tet Offensive, Jane Fonda 
and George Wallace, and a cast of thousands more 
into a mere 800 pages or so is bound to sprawl 
and sag a bit, to rush too quickly through some 
topics and linger too long with others.

Even so, Nixonland reads marvelously. Perlstein 
has the rare gift of being able to weave social, 
political, and cultural history into a single 
seamless narrative, linking backroom political 
negotiations to suburban protests over sex 
education in schools to the premiere of Bonnie 
and Clyde . And he has the eye of a great 
documentarian, fastening not only on the obvious 
historical set pieces (Kent State, Watts, 
Attica), but on the not-so-obvious ones as well. 
A National Association of Governors cruise, late 
in 1967, featuring George Romney "dressed like 
Xavier Cugat" on the dance floor, Ronald and 
Nancy Reagan sipping crème de menthes nearby, and 
Nelson Rockefeller chewing on seasickness pills 
and denying, yet again, that he has any designs 
on the presidency. A White House concert in '72 
in which one of the backup singers suddenly 
plucked a "Stop the Killing" banner from her 
décolletage and told Richard Nixon, "If Jesus 
Christ were in this room tonight, you would not 
dare to drop another bomb." A McGovern 
fund-raiser at which Simon and Garfunkel goaded 
the crowd to boo the patrons in the 
most-expensive seats, and Peter, Paul, and Mary 
invited everyone present to "take your place on the great mandala."

The hinge of the book is a chapter-length account 
of the riotous 1968 Democratic Convention, told 
from the vantage point of the American living 
room -- a scene-by-scene, blow-by-blow account of 
what the average American might have seen if he 
or she had flicked on NBC at a quarter past four 
on the day Hubert Humphrey was nominated for 
president. It's the most riveting description of 
a television broadcast you'll ever read.

Perlstein has a documentarian's ear as well. He 
nails the split personality of Bobby Kennedy -- 
the New Politics saint and the old-school 
political brawler -- with a pair of apposite 
quotations, one from a New Republic profile that 
compared the young senator's political style to a 
hippie "happening" and gushed over his flair for 
"sudden, spontaneous, half-understood acts of 
calculated risk" and the other from Eldridge Cleaver, who wrote of RFK:

I had seen that face so many times before -- 
hard, bitter, scurvy -- all those things I had 
seen in his face on the bodies of nighttime 
burglars who had been in prison for at least ten years.

He sums up three decades' worth of Hollywood 
political activism in one tone-deaf Warren Beatty 
remark from 1972: "A great deal of the leadership 
of this generation comes from music and film 
people, whether people like that fact or not." He 
captures the essence of Richard Nixon's career in 
a single aside to Leonard Garment: "You'll never 
make it in politics, Len. You just don't know how to lie."

And he knows how to conjure the characters you've 
never heard of as well as the ones you expect. 
Not only Abbie Hoffman and Tom Hayden and the 
rest of the Chicago Seven defendants, but Thomas 
Aquinas Foran, one of the prosecutors in the 
case, a pal of (the by-now-murdered) Bobby 
Kennedy and a living embodiment of backlash. Not 
only John Lindsay, the media darling whose 
disastrous mayoralty helped run New York City 
into a ditch -- Perlstein quotes a New York Times 
op-ed describing Central Park under Lindsay as "a 
combination of decadence and barbarism; a 
cut-rate 
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Satyricon -- but Barry Gray, the father of talk 
radio, who had crusaded against McCarthyism in 
the '50s but attacked Lindsay from the right over 
law and order when the mayor, amid riots, tried 
to impose a Civilian Complaint Review Board on 
the NYPD. Not just George McGovern, who chaired 
the commission that took the Democratic Party 
away from the union leaders and urban bosses, but 
Fred Dutton, the commission intellectual who 
envisioned a new Democratic coalition shorn of 
blue-collar reactionaries and anchored by the 
votes of minorities and newly enfranchised 20-somethings.

And Richard Nixon, of course, the dominant 
presence in the book, brooding over all of them& 
-- a "brilliant and tormented man," Perlstein 
writes, "struggling to forge a public language 
that promised mastery of the strange new angers, 
anxieties, and resentments wracking the nation." 
The man who harnessed the furies, and found himself destroyed by them.

Nixonland is a historical narrative worth 
savoring -- but one worth arguing with as well. 
Perlstein sets out to challenge what he terms 
"certain hegemonic narratives" of the '60s. But, 
perhaps inevitably, he tends to be tougher on 
right-wing shibboleths -- the notion that all of 
the era's violence was left-wing; the idea that 
the media snatched away victory in Vietnam -- 
than on liberal ones. Nixonland offers a vastly 
more nuanced account of how the New Deal 
coalition came apart than the predictable 
left-liberal story of noble Democrats undone by 
ruthless, race-baiting Republicans. (I'm looking 
at you, 
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Krugman.) But while Perlstein criticizes the 
liberal establishment for its self-satisfaction 
and naïveté -- for believing that "if only 
Nixon's people could truly see reason...their 
prejudices would melt away, their true interests 
would be recognized" -- he still leaves the 
impression that when it came to public policy, 
mid-century liberalism almost always did have reason on its side.

So for instance, Nixonland nods at the 
skyrocketing crime statistics that made appeals 
to "law and order" more than just a racist code. 
But Perlstein is more interested in cataloging 
political violence than in counting up muggings 
and break-ins and murders, and he sometimes 
leaves the reader to assume that the post-1950s 
spike in lawlessness was an epiphenomenon of 
urban rioting, campus protest, and right-wing 
vigilantism, and that liberal misgovernment had 
little or nothing to do with it. Or again, 
marveling at the chutzpah of a Nixon campaign 
advertisement that juxtaposed Hubert Humphrey's 
image with shots of Appalachian poverty, 
Perlstein writes: "Fighting poverty had been 
Hubert Humphrey's greatest contribution to 
American public life. They were attacking him at 
his greatest strength." But attacking the 
Democrats on poverty was prescient as well as 
brazen: Humphrey was running as the heir to 
Lyndon Johnson's martial, free-spending approach 
to fighting poverty, which would end up producing at-best-ambiguous results.

In these cases, and in others, Perlstein is 
unsparing in his critique of the political 
failures of mid-century liberalism; I only wish 
he had meditated more deeply on liberalism's 
policy failures as well, and at least grappled 
with the possibility that voters rejected liberal 
governance for pragmatic reasons as well as 
atavistic ones. But to do so might have required 
him to give Nixon's Republican Party -- if not 
Nixon himself -- more credit for restoring 
domestic tranquillity than I imagine he thinks 
the GOP deserves. Indeed, a minor theme of 
Perlstein's book is the extent to which domestic 
tranquillity has never been restored; Americans, 
he argues, inhabit "Nixonland" even now.

This argument is one of Perlstein's weakest -- 
and it's undercut, time and again, by his own 
skill as a historian and a writer. The chaotic 
tapestry he summons up -- "hard hats" slugging 
hippies on the steps of Federal Hall on Wall 
Street, radical priests hatching bomb plots in 
the steam tunnels under Washington, D.C., riots 
consuming city after city, and national leaders 
going down under assassins' bullets -- is 
fascinating precisely because it feels so alien 
to our present political climate. Indeed, the age 
of Bush, supposedly unrivaled in its rancor, 
seems like a peaceable kingdom when contrasted 
with the madhouse in which Richard Nixon rose to 
power. We have a culture war; they had a war.

It's true that the political and cultural divides 
that opened in the Nixon era are with us even 
now. But Perlstein wants to make a larger claim 
than this; he wants to suggest that the violent 
spirit of that time has endured till now as well. 
"Do Americans not hate each other enough to 
fantasize about killing one another, in cold 
blood, over political and cultural 
disagreements?" he writes. "It would be hard to 
argue that they do not." (Well, only if you treat 
the comment threads at Daily Kos and Free 
Republic as accurate barometers of the national 
mood, and even then it's a stretch.) And he wants 
to argue that there was something unprecedented, 
and particularly toxic, about the new majority 
Nixon fashioned from the wreckage of the old. 
"What Richard Nixon left behind," he writes,

was the very terms of our national self-image: a 
notion that there are two kinds of Americans. On 
the one side, the "Silent Majority"...the 
middle-class, middle American, suburban, exurban 
and rural coalition....On the other side are the 
"liberals," the "cosmopolitans," the 
"intellectuals," the "professionals"....Both 
populations -- to speak in ideal types -- are 
equally, essentially, tragically American. And 
both have learned to consider the other not quite American at all.

All of this is true enough, but none of it makes 
Nixon's brand of politics unique. "Positive 
polarization" is a trick that all 
majority-building politicians have to manage, and 
the idea that one's political foes are not merely 
wrong but un-American is as old as the 1800 
election, when Thomas Jefferson was accused of 
being a Jacobin in disguise and John Adams of 
smuggling aristocracy into the fledgling republic through the back door.

Indeed, few politicians mastered the art of 
positive polarization so well as the man whose 
majority Richard Nixon set out to undo. Much of 
Nixon's divisive rhetoric owes an obvious debt to 
FDR -- the Roosevelt who pitted the "forgotten 
man" against the "economic royalists" who pledged 
"to restore America to its own people" who 
scapegoated businessmen and Wall Street as 
relentlessly as Richard Nixon scapegoated 
intellectuals and media mandarins (if we remember 
Nixon as a vastly more polarizing figure than 
FDR, it's perhaps because his targets were more 
likely to end up writing history books); and who 
anticipated Spiro Agnew in his broadsides against 
an un-American elite: "They are unanimous in 
their hate for me -- and I welcome their hatred."

What distinguished Nixon from FDR wasn't his 
attempt to craft a new majority through a 
politics of division; it was what he did with 
that majority once he won it -- which is to say, 
precious little. He promised "peace with honor" 
in Vietnam and a neoconservatism avant la lettre 
at home; he delivered four more years of bloody, 
unsuccessful warfare overseas and a continuation, 
flavored with cynicism and bad faith, of 
Johnson's Great Society. His political victories 
demonstrated that a right-of-center realignment 
was possible, but his administration's paranoia 
and criminality left the realignment for later, 
less tormented politicians to achieve. Roosevelt 
polarized the country, but for a purpose, and 
left the New Deal as a monument to his political 
achievements; Nixon's principal monument was Watergate.

And yet one doesn't have to excuse Nixon's many 
sins to wonder whether his mix of ruthlessness, 
self-interest, and low cunning might have been 
preferable to some of the alternatives on offer. 
Perlstein depicts a country on the edge of a 
civil war -- a nation in which columnists openly 
speculated that America might embrace a de 
Gaulle-style man on horseback, or find a 
"President Verwoerd" (the architect of South 
African apartheid) to install in the Oval Office. 
It was a political moment when the old order 
could no longer govern, and the new order wasn't 
ready. The kids who screamed for Goldwater and 
McGovern would grow up to be responsible 
Reagan-ites and Clinton-ians, but back then they 
had only idealism, not experience, and Nixonland 
is an 800-page testament to the dangers of idealism run amok.

In this climate, the voters didn't choose Nixon 
over some neoconservative or neoliberal FDR; no 
such figure was available. They chose Nixon over 
an exhausted establishment on the one hand -- 
nobody seems more hapless in Nixonland than 
figures like Hubert Humphrey and Nelson 
Rockefeller -- and the fantasy politics of left 
and right on the other. They chose Nixon over the abyss.

Perlstein sometimes seems to suggest that Nixon 
was the abyss, and that by choosing him we 
vanished into it. But this misunderstands 
contemporary America, and it misunderstands Dick 
Nixon. A cynic in an age of zeal, a politician 
without principles at a moment that valued 
ideological purity above all, he was too small a 
man to threaten the republic. His corruptions 
were too petty; his schemes too penny-ante; and 
his spirit too cowardly, too self-interested, too 
venal to make him truly dangerous. And he was a 
bridge, thank God, to better times. Could America 
have done better? Perhaps. But on the evidence of 
Nixonland, we could have done far worse as well.

And yet one doesn't have to excuse Nixon's many 
sins to wonder whether his mix of ruthlessness, 
self-interest, and low cunning might have been 
preferable to some of the alternatives on offer. 
Perlstein depicts a country on the edge of a 
civil war -- a nation in which columnists openly 
speculated that America might embrace a de 
Gaulle-style man on horseback, or find a 
"President Verwoerd" (the architect of South 
African apartheid) to install in the Oval Office. 
It was a political moment when the old order 
could no longer govern, and the new order wasn't 
ready. The kids who screamed for Goldwater and 
McGovern would grow up to be responsible 
Reagan-ites and Clinton-ians, but back then they 
had only idealism, not experience, and Nixonland 
is an 800-page testament to the dangers of idealism run amok.

In this climate, the voters didn't choose Nixon 
over some neoconservative or neoliberal FDR; no 
such figure was available. They chose Nixon over 
an exhausted establishment on the one hand -- 
nobody seems more hapless in Nixonland than 
figures like Hubert Humphrey and Nelson 
Rockefeller -- and the fantasy politics of left 
and right on the other. They chose Nixon over the abyss.

Perlstein sometimes seems to suggest that Nixon 
was the abyss, and that by choosing him we 
vanished into it. But this misunderstands 
contemporary America, and it misunderstands Dick 
Nixon. A cynic in an age of zeal, a politician 
without principles at a moment that valued 
ideological purity above all, he was too small a 
man to threaten the republic. His corruptions 
were too petty; his schemes too penny-ante; and 
his spirit too cowardly, too self-interested, too 
venal to make him truly dangerous. And he was a 
bridge, thank God, to better times. Could America 
have done better? Perhaps. But on the evidence of 
Nixonland, we could have done far worse as well.

Ross Douthat is an Atlantic senior editor
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