If you're at all interested in how Google Books is about to change in
response to the new settlement reached between Google and
authors/publishers, you should read Arnold Arcolio's (of RLG)
insightful summary and analysis posted on the Hanging Together blog
(http://hangingtogether.org/?p=541).
**Please excuse duplicate messages; this request has been sent to several
lists.**
Dear MCN colleagues,
The Visual Resources Association Foundation is pleased to announce a $26,400
grant from The Getty Foundation to support the initiative, "Implementing CCO:
Standards and Best Practices."
Th
I will be out of the office from October 30 - November 4. I will answer
email messages when I return.
If you require immediate attention, please contact Josh Feldman
jfeldman at themorgan.org or x346
Thanks.
Benjamin Bailes
> With apologies to Eve, please consider the following:
>
> Regarding the second part of her email; If your budget allows you to use a
> good commercial printer who has printed art publications before, you will
> have exceptional results from an entirely digital workflow. True, we rarely
> see p
I will return to the office on Monday, November 3rd. If your message is
urgent please contact Marilyn Palmer : mpalmeri at themorgan.org
Eva Soos
Photography and Rights
The Morgan Library & Museum
225 Madison Avenue
New York, NY 10016
Fax: 212 685-7913
>>> mcn-l 10/30/08 16:00 >>>
Send mcn-l ma
Ah. the bygone days of the 4x5 transparency. For those publishers who
lament the passing of transparencies I can only say this: be happy they are
gone. We have been fooling ourselves for a long time but did not realize it
until really good direct digital capture came to the fore. It tur
Hi Eve,
Most of us care about color accuracy but we may define it differently.
Color bars used at the point of capture are a false sense of security
because they react differently to light than pigments. Color bars used in
late stages for process control are a different story and can have value.
