http://tbivision.com/highlight/2016/01/tvs-big-questions-linear-tv-dead-dying/533692/


by TBI reporter
January 28, 2016
At the recent CES show in Las Vegas, YouTube’s chief business officer Robert 
Kyncl forecast online
video will overtake linear TV by 2020. Netflix boss Reed Hastings has said that 
all viewing will be online
within 20 years. The prognosis for linear TV is grim. Or is it? We asked the 
industry.

For Peter Higgings from Naked and Afraid producer Renegade 83, the writing is 
on the wall for linear TV.
“It’s dying, but slower than many people expected,” he says. With timeshifted, 
binge- and on-demand
viewing increasingly the norm, traditional channels have reason to worry, 
although demographics mean
linear isn’t going away any time soon.

Viacom International Media Networks president Bob Bakish says: “Contrary to 
popular perception, linear
TV is proving resilient and viewers are watching more TV than ever before. 
There is without a doubt a
generational shift underway in how TV is viewed – increasingly, we see a shift 
towards on demand versus
scheduled viewing; more binge viewing of multiple episodes of a series, and a 
migration from traditional
TV to multi-screen viewing. In short, the viewer is in control of what, when, 
where and on what device
they watch. But, while all of this is going on, we still see the vast majority 
of viewership accruing to linear
feeds.

The pie is getting bigger, the VIMN boss add: “The extraordinarily rapid 
take-up of new connected
devices, particularly tablets and smartphones, by mainstream consumers has 
served to increase TV
consumption, not reduce it,” he says. “Importantly, young audiences are not 
switching off; in fact, TV still
holds huge social currency with this audience when integrated with 
sophisticated digital strategies
designed to drive engagement and linear tune-in. In short, TV is not dead, it’s 
just being consumed
differently across many more platforms.”

Ian Jones, boss of Welsh-language free-to-air broadcaster and linear channel 
S4C says there is a
generational shift: “A whole new generation is growing up in a world where an 
entire series can be
watched in one sitting,” he says. “People don’t want to wait to see the next 
instalment, and the effect of
this is spilling over to linear TV.”

Jones adds that despite this, linear is, today, still the way most people watch 
TV. “The TV schedule is still
an important part of the industry, as a over 90% of the audience continue to 
watch in linear mode,” he
says. “The test will come for schedulers when today’s children and teenagers 
grow into young parents,
and the older generation who are more used to scheduled TV, pass on. The market 
will evolve and EPG
access will evolve into other forms of accessing linear forms of TV.”

The point about demographics is echoed by others. “Today’s audiences are more 
demanding than ever,”
says Christian Baumard, CEO of France-based producer and distributor Kabo 
Family. “However, I don’t
think this signals the demise of linear TV as such, for two reasons: Western 
audiences are getting older,
and those with solid viewing habits aged 50-plus tend to watch what they like 
among what is offered and
linear TV is part of it. Secondly, multimedia groups and TV channels have the 
resources to pick premium
programmes and projects.”

The incumbent channels and platforms that are mostly linear also have deep 
pockets he adds. “Multimedia
Groups and TV channels have, backed by the financial power to reach a mass 
market, the
resources to pick premium programmes and projects,” he says. “A primetime 
broadcast from a major
linear TV channel gives a program the chance to become a big ‘event’ reaching a 
wide target audience.”
Digital hipster brand Vice is among those betting that linear TV remains 
relevant, and in partnership with
A+E is rolling out traditional TV channels, having announced the launch of 
Viceland in the US.

The what you want, when you want it benefits of streaming are oft-touted by 
execs and there are certain
types of programming for which linear still trumps streaming. “Linear is not 
dead or dying but changing,”
says Chris Hilton, head of Australian prodco Essential: “It increasing focusing 
more on event television:
news, competition reality events and must see drama.

ZigZag Productions boss Danny Fenton sums it up thusly: “It’s not dead or dying 
but needs to be live to
stay alive.”

Sports, events and news remain then, remain the preserve of linear, although 
there is now a mixed
ecology, and viewing is spread across different devices. “Linear TV is not dead 
in the slightest, but is
evolving in the way that TV has continually changed since its very inception,” 
says Greg Beitchman, news
channel CNN’s vice president, content and partnerships. “However, the mass 
reach via the TV is still
there, but enhanced by a presence on every imaginable screen. Yes, you will 
have breaking news bites
on your mobile, but linear TV still delivers a real-time experience available 
nowhere else.”

He adds that the linear and non-linear are not separate worlds and feed into 
each other: “Content from
linear television is what has and continues to feed non-linear platforms, which 
in turn presents an
opportunity for ‘traditional’ media companies to reach new viewers,” he says. 
“It is imperative to recognise
and embrace this new environment, and to look at our business through a bold, 
new lens.”

Lucas Bertrand, boss of on-demand specialist MoMedia agrees that linear and 
non-linear are working
together, for the time being at least. “Linear channels are enhancing their 
non-linear offering, and it’s
great to see,” he says. “It is still the main box in homes. It will be 
interesting to see in 15 years, with the 
digital natives turning into young adults, where the market for linear is. We 
still have an aged and ageing
population for which linear plays a huge part of consumption alongside 
non-linear viewing.”

Despite Reed Hastings’ prediction of the end of traditional TV, others at the 
forefront of the on-demand
revolution say it is early days for these services. “Despite all the excitement 
around SVOD services in
2015, non-linear television is still very much in its infancy,” says Karim 
Ayari, CEO of Vivendi’s German
streaming service Watchever.

Another exec with expertise in the digital world adds there will always be 
people who want content served
up in a traditional, linear fashion. “With countless viewers who see television 
as a lean back experience
and want to be programmed to, I don’t believe linear TV will ever fade out 
completely,” says Gina Brogi,
20th Century Fox, executive VP, worldwide distribution, pay TV/SVOD. “However, 
this is a challenging
time for linear TV channels in that viewing content on a linear basis is 
declining. Equally, it is an exciting
time where viewers can watch content when and where they want to watch it, and 
not feel like they’ve
missed out.”

For Simon Cornwell, boss of John le Carre prodco The Ink Factory, linear is 
still the place for news and
sport… but its ends there. “For everything else, linear television is an 
outdated paradigm,” he says. “Why
should we be forced to watch things at a time that a broadcaster decides? It’s 
just rude!”



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