Actually I always thought of the color as "burnt umber" which is an
orange infused with red
Orange is a much brighter color and red is a much darker color
about Bernard Herrman.. I was lucky to score a double LP of Herrman's
Hitchcock scores about 35-40 years ago and it is a great album.
I'v
Think this may down to what you class as a very reddish orange, or an
orangey red!
But there is variation in these, a decent example, strong printing, no
fading, isn't insipid in my book.
One sheet I used to have, (strong printing, no fading), that example I
would describe as red, though not
Bruce,
just received the CAGLIOSTRO (BLACK MAGIC) Argentinean 1 Sheet poster
from you. Bruce, I cannot emphasize enough how much I appreciate
your exceptional professionalism, packaging and shipping service.
And the poster is FAR better in person than in the pics of the
auction.
Abso
Interesting bit of trivia on the posters for Vertigo. Most people might well
think that virtually all the posters are basically "the same", but actually
each one has a different silhouette image!
You don't notice this until you look at the pressbook page, where it jumps
out at you.
I have had man
One man's red could be another's orange I suppose, but I always
thought Vertigo was red and black, one of the least bland colour
combinations.
I understand there was some variation in the red ink used to print
these.
But would have thought that orange, would either be a faded example,
or a
ay of just missed the trick however by not sending
Scottie over the edge after Madeline
Simon
- Original Message -
From: David Kusumoto
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Saturday, May 17, 2008 10:04 AM
Subject: [MOPO] MASTERPIECE: Bernard Herrmann
Great
Great article today paying homage to film composer Bernard Herrmann and
"Vertigo." It's written by arts and letters scholar Jack Sullivan, better
known for his studies that conclude -- that the horror genre -- should be taken
seriously as literature.
I still consider the "Vertigo" one-sheet
7 matches
Mail list logo
