quot;Songbook" button that won't do anything unless
you have a Pro subscription. Stealing that function from users who paid
for V1 is poor show and may upset a lot of people.
Regards
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.c
Please restore version 1.13 of Musescore Sondbook to the Apple app store,
and make version 2 a separate app. I paid money for version 1, and now
it has been "upgraded" to a "free" version that doesn't have the same
functionality.
cheers,
Tony
--
Tony Mountifield
Work:
Can you help?
Hi Jim,
Righ-click on one of them, in the pop-up menu go to Select> and click on All
Similar Elements.
That will highlight them all and you can press Delete.
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co.uk
an you help?
> Thanks.
Hi Jim,
Righ-click on one of them, in the pop-up menu go to Select> and click on All
Similar Elements.
That will highlight them all and you can press Delete.
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co
re for pitchspelling.cpp and pitchspelling.h
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co.uk
Play: t...@mountifield.org - http://tony.mountifield.org
--
This SF.net email is sponsored by Windo
t; should I get them back into my main MuseScore directory? Is there a bigger
> picture I'm missing.
You don't make changes in qtcreator-build (I assume you chose that directory
name yourself while setting up your build environment). It should just contain
files generated by the build
roposed lack of a chord ID list, how would the chords in
such
scores get recognised correctly on loading?
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co.uk
Play: t...@mountifield.or
ld this affect the use of the nice little "MA" and "MI" glyphs
in the MuseJazz font?
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co.uk
Play: t...@mountifield.org - http://tony.mountifield.org
---
In article <74f02be8-316a-4900-8e7d-94f709e2c...@gmail.com>,
Marc Sabatella wrote:
> On May 21, 2013, at 3:32 AM, t...@mountifield.org (Tony Mountifield) wrote:
>
> > Thanks Marc, yes, I have already rebased my changes to the master that
> > was current yesterday evening
een
merged (which hopefully won't take too long!), and then rebase my
changes to that.
I've added a pull request (369) for a small piece of common code that
shouldn't conflict with what you've done and will make it easier when
I submit my two features separately..
Che
be added
before or after the chord respectively. A single optional chord would
have both. A sequence would have left on the first and right on the last.
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co.uk
Play: t...@mountifield.org - http://tony.mountifield.
Marc Sabatella wrote
> On May 13, 2013, at 4:22 PM,
> tony@
> (Tony Mountifield) wrote:
>
>> In article <
> 51915B82.2050001@
>>,
>> Marc Sabatella <
> marc@
> > wrote:
>>>
>>> OK, I've *got* to get things set
able to do it, and it would help everyone. Please? :)
The doc at http://staff.imsa.edu/~ckolar/mailman/mailman-administration-v2.html
says for this option "Lists that intend to focus on discussion are best set to
"list" to encourage conversation.". That certainly applies to this
sistency with the fact that he did the same
for figured bass.
However, a few days ago I too thought that it ought to be made visible
again. I wanted to try changing the font of rendered chords too. So it's
interesting that you want to as well.
There's probably a bit setting in
inputs that
parse to the same result. Nice!
I have a couple of queries on the code itself, but I'll put them on github
against the appropriate lines.
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co.uk
Play: t...@mountifield.org - http://tony.mountifiel
and didn't notice anything glaring. Will look through in
more detail when I get a mo, but it appears to be nicely self-contained.
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co.uk
Play: t...@mountifield.org - http://tony.mountifield.org
-
In article <1366654502140-7578043.p...@n2.nabble.com>,
Tony Mountifield wrote:
> lasconic wrote
> > I will let Werner answer on the way to represent it in the MSCX format in
> > the most consistent way.
> >
> > I have one question about the logic you described. W
same as for the rest of the chord symbol.
Cheers,
Tony
> Regarding MusicXML, I'm not aware of any way to store this information.
> Probably a question for their MusicXML list.
>
> lasconic
>
>
>
>
> 2013/4/22 Tony Mountifield <
> tony@
> >
>
&
nce of
and/or , or there could be a better way. I'm not an XML
expert, so wanted to ask.
Also, I know nothing about MusicXML, so don't know how such a feature
should be exported/imported in that format either.
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softi
In article ,
Tony Mountifield wrote:
>
> The above problems could be overcome by reverting to unstyled text,
> re-adding a call to setUnstyled() in the Harmony constructor after
> initialising the style, but in that case we are back to the incorrect
> positioning of the edit-mode
itioning of the edit-mode text box, since unstyled text layout
doesn't handle BaseLine alignment.
Comments?
Cheers
Tony
--
Tony Mountifield
Work: t...@softins.co.uk - http://www.softins.co.uk
Play: t...@mountifield.org
Marc,
I have uploaded a new binary which addresses, to some extent, a couple of
your points below. https://dl.dropbox.com/u/20727193/mscore.exe
This one's much smaller as it's a normal build, not a debug build.
Tony Mountifield wrote:
> In article <515b6bb1.2000...@outsidesh
In article <1364981694702-7577991.p...@n2.nabble.com>,
Maurizio M. Gavioli wrote:
> Tony Mountifield wrote
> > Marc Sabatella wrote:
> >> > c) If chords are dragged vertically to be clear of each other, they
> >> > are allowed to overlap horizontally.
>
gt; fixes. My chords.xml is from 9/8/12. It sure looks from it like Maj7
> should work, but it doesn't for me. I can get a major seventh chord in
> cchords_muse just fine. I can also get it in stdchords by entering a
> dominant seventh then changing it in Harmony Proper
In article <6dd78d28-09d7-41eb-a6be-c9bbbe6fe...@gmail.com>,
Marc Sabatella wrote:
> On Apr 2, 2013, at 10:38 AM, t...@mountifield.org (Tony Mountifield) wrote:
>
> > I just wanted to mention that I solved the problem anyway, as I think it
> > really is worth doing
In article ,
Tony Mountifield wrote:
> In article <51443c59.3010...@wschweer.de>,
> Werner Schweer wrote:
> > I would like to propose to drop the idea to automatically stretch
> > measures for chord symbols as it likely produces more problems than it
> > solves.
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