How important do you reckon FFT hardware acceleration
A good question might be to think of what that acceleration is composed of, and that which
you want to use it for. I can easily come up with professional use of certain FFT
variations, including straight, medium long, and fully overlappi
Hi Martin,
as I said in the other mail, I really like the OWL, however I'd probably have
to do a hardware revision :P. Also I yet lack an estimate of how much more
audio fx instances a true DSP can handle compared to an ARM, which is a crucial
decision factor. Considering programming open sour
Hi Max,
you might want to check out our OWL Pedal:
http://hoxtonowl.com
It's an open source, programmable FX pedal based on the ARM Cortex M4.
If you are considering future open sourcing then bear in mind that most
dedicated DSP chips require specialised tools to program them, which are
generall
Wow! Truly stunned by the amount of feedback that came in over night, thank you
guys!
I'll try to go through it from the top, but in general I think it already seems
to glimpse through that FFTs aren't as widespread in audio effects as I
initially thought. I worked on a project at University f
A goto resource for spectral processing is Trevor Wishart's "Audible
Design" - this provides sufficient detail for anyone fluent in
programming to implement them using a standard phase vocoder.
See here:
http://www.trevorwishart.co.uk/publ_bks.html
This is the basis of most of CDP's spectral
Greetings,
I enjoyed the sound of these spectral audio FXs:
http://www.michaelnorris.info/software/soundmagic-spectral).
Does there exist some signal processing documentation of the algorithms?
Jacob
Den 25/08/16 kl. 05.18 skrev Ross Bencina:
> On 25/08/2016 8:44 AM, Max K wrote:
>> How import
