This is great stuff, I will follow it with interest. On a side not have a
look at the compressor in Ableton Live. It has three ways of visualising
the audio running through it. I don't think I really understood how a
compressor worked until I started using it.
On Mon, Apr 17, 2017 at 1:18 AM,
en called functions benefit (where the
>> overhead of the call is significant relative to function body)—the discuss
>> quickly drills down to minutia (versus #define macro, blah blah).
>>
>> > On Oct 12, 2015, at 8:27 AM, Aran Mulholland
>> wrote:
>> >
>&g
I'm just wondering how people decide which functions should be inlined?
What are the rules that you follow when choosing to inline a function? Are
you concerned with function size or the number of inlined functions through
the code base? What other considerations do you factor in whilst making the
What do you mean by a programmer being adept at control voltage? Do you
mean they have circuit building knowledge or are familiar with how control
voltages are used?
On Fri, May 15, 2015 at 4:45 AM, Ory Hodis wrote:
> Looking for a programmer that is adept at MIDI, C programming and control
> vo
Thanks Patrick,
The doco looks ok. There is some good stuff there.
I suppose the kind of things that I look for when starting out are example
intro docs with code snippets if appropriate: (like)
How does the audio library work?
What type of engine is it? (pull model, node based, maximum number of
Looks promising.
What language do you have to code in to do cross platform audio? (I
couldn't find any code samples on your site)
Do you get the same latency on iOS and Android when performing the same
processes?
The articles on the site seem to be more media releases than developer
focussed.
Wo
Oh ye of little faith Ross...
On Tue, Feb 18, 2014 at 3:28 AM, Douglas Repetto wrote:
> Yeah, those sure look like the same sonogram with just a little damping on
> the left one. I doubt you'd get such precisely matching features even from
> the same bird chirping twice! In fact I just analyzed
