Microphones can be either pressure or velocity; any basic microphone design
book/paper will cover the differences.
best,
rich
> On Sep 30, 2017, at 11:43 AM, music-dsp-requ...@music.columbia.edu wrote:
>
> Subject: [music-dsp] PCM audio amplitudes represent pressure or
> displacement?
Several things:
On Jun 22, 2014, at 7:07 AM, music-dsp-requ...@music.columbia.edu wrote:
> ...
> Out of interest, what is your latency measurement method of choice?
> ...
> Do you think they notice below 2ms?
>
> Ross.
Nothing fancy for measurement; split an impulse to 2 channels of a DAW; one
Just as a data point; Been measuring and dealing with converter and DSP
throughput latency in the studio since the first digital machines in the early
'80's; my own experience is that anything above 2 or 3 msec of throughput
latency starts to become an issue for professional musicians; 5 msec be
I don't suppose there's any chance this class can be taken remotely?
thanks,
rich
On Feb 6, 2012, at 2:11 AM, music-dsp-requ...@music.columbia.edu wrote:
> Subject: [music-dsp] ANN: audio programming course
> Message-ID: <4f27d260.5040...@blueyonder.co.uk>
> Content-Type: text/plain; charset=IS
