Matthias Puech wrote:
Hello,
...
I am trying to understand what is the observable relationship between these two
scenarios
when modulated ...
The main thing to remember when thinking of the maybe easier to get example of a tape
delay is that the the difference in tape speed at the moment of
On 23/03/2016 16:01, music-dsp-requ...@music.columbia.edu wrote:
1/ the classic digital delay, where read/writes are made at a constant
sample rate, but where the size of the buffer can be modulated,
2/ the BBD-like delay, where the size of the buffer is constant but the
sample rate can be modu
Hi,
Thank you very much for your answers Vadim and Evan.
Vadim, indeed, this integral bounded by the delay time is the answer I was
looking for. I am still wrapping my head around it, but it's tasty brain
food, thank you. Evan, you are right in that it's much easier to get the
intuition thinking a
Matthias --
Resampling (sample rate change) and delay are distinct but related
operations -- I think it is helpful to consider them separately when
considering any variable-delay implementation.
First, imagine a black box containing a large amount of magnetic tape which
can be drawn out through a
On 23-Mar-16 00:45, Matthias Puech wrote:
Does this mean for instance that if I provide a control over the
integral of D in 1/ I will get the exact same effect as in 2/?
I have been thinking about this question a while ago (in terms of tape
rather than BBD delay, but that's more or less the sa
Hello,
I have a practical problem and a theoretical question to submit to the
readers of this great list. First, the problem:
In a recent discussion [1], I (partially) realized the subtle differences
between two implementations of a delay line with modulation over the delay
time:
1/ the classic d
