the aegis of depression and motility
http://www.alansondheim.org/pression5.png
https://youtu.be/iqB-nEWvhXI
http://www.alansondheim.org/pression2.png
http://www.alansondheim.org/pression4.png
http://www.alansondheim.org/pression1.png
motion capture, apparatus, lines of flight, lineage,
fold
Apologies for not reading, I'm on a residency that's exhausting me.
That said, to at least one of the emails here, I tend to think of art in
terms of Wittgenstein's language games / family of usages (indeed, even
defining "game" is impossible for all instantiations). I run by Bourdieu
in
Hi EdwardI do want to reply briefly to some of the points you make but it's
late now and that will need to wait until tomorrow or the weekend. I *do* want
to say right now however how touched & grateful I am that you took the trouble
to read the piece in such detail especially given the tech
Michael,
Infuriatingly, I can access the full article if I click the link while
I'm at work, but I can only access the precis if I click it at home.
This didn't stop me reading it - when I was supposed to be getting on
with something else - and I'll draw a veil over the question of how many
We are busy bunnies - hard at work under the FF-hood
More on "END"s (oh no, unfortunate and misleading acronym!) soon.
:)
Ruth
On 24/09/18 21:17, Helen Varley Jamieson wrote:
hi ruth,
sounds very interesting! looking forward to hearing more about the
exciting new developments :)
h : )
Furtherfield Archive. Nam June Paik – Video Philosopher.
Interviewed by By Lynn Hershman Leeson.
Lynn Hershman Leeson is a renowned and accomplished artist and filmmaker in her
own right. Over the last three decades she has pioneered uses of new
technologies in critical investigations of
Rethinking AI through the politics of 1968.
By Dan Mcquillan
This talk was given at the conference 'Rethinking the legacy of 1968: Left
fields and the quest for common ground' held at The Centre for Cultural Studies
Research, University of East London on September 22nd 2018
There's a definite
