Yes

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> On May 15, 2019, at 9:37 AM, Bjørn Magnhildøen via NetBehaviour 
> <netbehaviour@lists.netbehaviour.org> wrote:
> 
> sorry for x-posting
> 
> preliminary call for VERY LARGE WORKS
> 
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> 
> VERY LARGE WORKS is an online show (pavilion) at The Wrong art biennale 
> 2019-2020, organised by Noemata group.
> 
> the call consists of this intro and some (curatorial) questions. you can take 
> part in the show by submitting more questions or by submitting work related 
> to the questions. in other words, you can participate as curator posing 
> questions, or as artist submitting works to questions.
> 
> now, can we also pose a question whether the question itself is a work, and 
> vice versa, whether a submitted work itself is a question? this is left as a 
> question also for now.
> 
> then, what is a good platform for this? would a bulletin board or email-list 
> do? we'd love to give life to other web protocols and practises, free from 
> commercial clutter, abide with a vision closer to the original internet.
> 
> the project concerns internet curatorship as much as 'very large works'. it 
> could be called Very Collaborative-Discursive Thing perhaps. our goal is 
> seeing if this form of show could develop into a more general practise within 
> the entangled netbased- art and curatorship pair.
> 
> 
> IF ARE YOU INTERESTED IN PARTICIPATING (non-bindingly) in the show simply 
> comment yes to this post, or reply 'very large works' to m...@noemata.net. 
> the purpose is, besides probing interest, to drop a few names into an 
> application to get the project funded (with the help of God).
> 
> 
> 
> VERY LARGE WORKS preliminary questions
> 
> how large?
> what are the extensions of an artwork?
> does it have any? did art invent the zero yet? or negative dimensions?
> one mole of elephants?
> since we can script electrons, that's different from counting?
> what about in-between dimensions?
> who told you it was visible, countable, accountable?
> the monitor is merely a - monitor?
> ... that admonishes, cautions, of matters of conduct?
> is a very large work still a work?
> does it want to be a work?
> is work endless work, Sisyphus?
> is it perhaps too romantic, or is it just lack of imagination?
> inherent lack?
> isn't imagination too tacky, just imagine?
> and cognition, its own?
> boundaries - when will it take on its own?
> circuits, morphology?
> what about a six-dimensional work with unknown extensions?
> as a matter of fact?
> the home of time?
> where would they fit, the very large works?
> isn't very large more like muscle, and work again?
> penis enlargement?
> largus copious?
> then you have copy and number, ennumeration, infinity or cost?
> as you approach lim, inf?
> it certainly isn't infinite, it's most definitely finite?
> what about tactility and number?
> abstract numbers close at hand?
> numbers and money (mcluhan)?
> "sure, sure"?
> "The result hammered for a mountain-scene panorama measuring over 8 meters 
> wide and 3 meters high - The Grand Fucking Mountains (2019) - illustrates the 
> immense success of this new giant of et cetera"?
> if you're a great artist.. a great artist makes great artworks?
> now with internet we can also make VERY LARGE works?
> couple it with art marked finance, whitewashing, scams, and what have you?
> physicality seems to.. and the virtual-real?
> are very large works also very tiny works?
> what about zooming?
> inside - outside, can you always zoom into and outof?
> can a zoom substitute different domains of knowledge into one zoomable 
> territory?
> also recursion is the devil, chain reaction, link reaction?
> anything that, which is most things, as counting +1?
> large and scarce
> grasp our current love of numbers and quantitative information?
> extension of our senses, sounds ominous, numinous?
> the extension is of the same, just look at a postcard?
> the news is the most trite thing there is?
> how many days have you lived?
> then how many did you skip?
> nights?
> can you even trust your senses, less the extensions?
> and trust your trust, judgement?
> the agreeable, the beautiful, the sublime, and the good?
> unknown universals for given particulars?
> subjective universal oxymoronic?
> tasteless?
> the strong taste of nothing?
> your lightyear or mine?
> now thoughts can be tactile-erectile?
> what about lard, very lard?
> why did you ever want to think?
> two deserts - one empty, one full?
> and digestion, not the least?
> the schematas from table of judgement, delicious fruit?
> duration, just imagine, no, just feel, no, just be, no, just, obdure?
> that's on a cliff?
> mirror, mirror on the wall?
> on both sides?
> head over heels?
> the somerzsault of reflection, why is the left right?
> is it biodegradable?
> only if we die?
> under the wrapping on a summer breeze?
> cc: coco chanel?
> copious fragrance disseminate, when will art smell?
> bcc: blind coco chanel?
> are the senses extensions at all, or rather indentations?
> ye olde intentionality?
> are there any gifts left?
> exit shop to the right?
> 
> 
> 
> preliminary participants
> 
> Denise Kehoe, Eurico Sá Fernandes, Christian Blom, Antoine Schmitt, Igor and 
> Ivan Buharov, Termodress (Christian Bøen), Kira Simon-Kennedy, AP Vague, 
> Xiaoyao Xu, Ana Buigues, Zsolt Mesterhazy, Natalia Matta-Landero, Dirk 
> Vekemans, Maja kalogera, Gottfried Haider, Douglas Repetto, Nina Sobell, 
> Simon Perathoner, Joseph Moore, www PerfectUsersCollective, Ada Ortega 
> Camara, Alexander Ness, ronnie s, David Quiles Guilló, irena kalodera, daria 
> baiocchi, Lanny Quarles, Jukka-Pekka Kervinen, Andreas Maria Jacobs, Julia E 
> Dyck, Yiorgos Chouliaras, Jim Andrews, Harvey Lev, Dominik Podsiadly, Elle 
> Thorkveld, nigel roberts, Simon Biggs, Vivian Cintra
> 
> 
> notes
> 
> for VLW i was thinking people can either submit questions and/or works, so 
> that a participant can not only 'submit' work to a set of curating 
> rules/questions, but also add to or change them. in this case a participant 
> can submit a curatorial thing as work, forming a contradiction to the 
> either/or.
> i had https://en.wikipedia.org/wiki/Nomic in mind, a rule-changing game, but 
> with art it's more like questions and probes, one 'object of perception' 
> leading to another.
> so on second thought, and closer to nomic, one could perhaps take part with 
> art _as_curatorial also? so you submit TO a rule or submit A rule. it would 
> be a Very Collaborative-Discursive Thing.. the title VLW now seems to slide 
> into the background, but again, the theme is the main thing holding it 
> together, the one thing that can't be changed. maybe this form of show could 
> develop into a more general stance on net curatorship?
> what if we further say that input/moves/actions are treated as both works AS 
> rule and work FROM rule? how would that affect? where are we floating?
> next question, what is a good platform for this? 
> would a bulletin board be a good platform, an email-list?
> also to give life to older web protocols, free from commercial clutter, the 
> vision of the internet
> 
> notes to fund application
> 
> would be decent to be able to give participants something for their work.
> 
> 
> 
> resources
> 
> https://noemata.net
> https://thewrong.org
> https://en.wikipedia.org/wiki/Nomic
> https://boingboing.net/2017/08/25/person-tests-amazons-unlim.html
> https://www.youtube.com/watch?v=klGoP04C-WY
> http://awp.diaart.org/km/painting.html
> http://clickmonkeys.com/
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