Hi,

Hope everybody is well.

I am looking for writers and artists to send Orlando Press work for
publication. I have created a new tiny indie press called Orlando Press in
Glasgow (Scotland), which will publish a quarterly small magazine dedicated
to encouraging new work exploring ideas related to the weird and the eerie
in art and literature.

Each print issue (40pp, full colour, heavy stock, illustrated) will be
accompanied by a sister digital edition that will be reserved for sound,
moving image and selected (interactive) text works, and the PDF will be
digitally accessible.

The magazine is called Mycelia. See:
www.theorlandopress.com

Submissions deadine: 1 July 2018
Launch scheduled: mid-August

To help me manage the magazine, I'm working with a freelance arts
copy-editor and freelance type artist. However, I might require additional
freelance support later on, so please bear Mycelia in mind if you're
interested!

Thank you,

Simone.


*Simone Hutchinson*
*Editor*

SfEP:        https://www.sfep.org.uk/directory/simone-hutchinson
GEN:        https://www.edit-glasgow.org.uk/member/simone-hutchinson/
LinkedIn:   https://www.linkedin.com/in/simone-hutchinson/
Twitter:      @dreamofmerle <http://www.twitter.com/dreamofmerle>


On 7 May 2018 at 11:00, <netbehaviour-requ...@lists.netbehaviour.org> wrote:

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> Today's Topics:
>
>    1. drawing GPS rabbits after Kac, final session (Michael Szpakowski)
>    2. memory of Kent State, memory of now (Alan Sondheim)
>    3. Control Magazine at Tate Liverpool (Alan Sondheim)
>    4. bad sarangi (Alan Sondheim)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sun, 6 May 2018 14:23:06 +0000 (UTC)
> From: Michael Szpakowski <m...@michaelszpakowski.org>
> To: NetBehaviour for Networked Distributed Creativity
>         <netbehaviour@lists.netbehaviour.org>
> Subject: [NetBehaviour] drawing GPS rabbits after Kac, final session
> Message-ID: <1115973841.367451.1525616586...@mail.yahoo.com>
> Content-Type: text/plain; charset="utf-8"
>
> HiI'm doing the final session tomorrow in what has turned out to be an
> enormously enjoyable project ( for me, certainly - I can't speak for the
> participants but they seemed to have a good time) .I'll be outside
> Furtherfield Gallery in Finsbury Park from 11:00 until about 4:30 with the
> last session around 3:30. I have one slot already filled, at 1:30...If
> anyone is up for it give me a shout by mail saying approximately what time
> and I'll pencil you in..
> Here's the story so far:
> https://www.flickr.com/photos/szpako/albums/72157667576425818
>
> cheers!michael
> -------------- next part --------------
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>
> ------------------------------
>
> Message: 2
> Date: Sun, 6 May 2018 11:36:45 -0400 (EDT)
> From: Alan Sondheim <sondh...@panix.com>
> To: NetBehaviour for networked distributed creativity
>         <netbehaviour@lists.netbehaviour.org>
> Subject: [NetBehaviour] memory of Kent State, memory of now
> Message-ID: <alpine.neb.2.21.1805061136380.25...@panix3.panix.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
>
> memory of Kent State, memory of now
>
>
> http://www.alansondheim.org/viola.jpg
> http://www.alansondheim.org/wadii.mp3
>
>
> "no one listens any more
> no one watches any more"
>
> they watch
> the flat greyness of existence,
> it's always a wonder,
>
> resting; as if truth were interesting as if it were not
> the flat greyness of existence, corrupted into landscape,
> landscape, furnished with ridges, serrated edges, graspable,
> fallen into language (as if truth _yearned_)
>
> a wonder there is no language or word for language
>
> imagine an enormous indeterminate oval space, flat and grey,
> imaginary lemniscate of a catatonic ellipsoid, cut, twisted
> like the memory of language,
> like uncanny life burrowed into death, death borrowed as if
> there were coin, unimaginable, greater, than anything
>
> you witnessed here, among
>
> no one listening
> no one watching
>
> there is less more,
> lemniscate
>
>
>
>
>
> ------------------------------
>
> Message: 3
> Date: Sun, 6 May 2018 12:55:43 -0400 (EDT)
> From: Alan Sondheim <sondh...@panix.com>
> To: NetBehaviour for networked distributed creativity
>         <netbehaviour@lists.netbehaviour.org>
> Subject: [NetBehaviour] Control Magazine at Tate Liverpool
> Message-ID: <alpine.neb.2.21.1805061252500.10...@panix3.panix.com>
> Content-Type: text/plain; format=flowed; charset=US-ASCII
>
>
> I knew Stephen Willats in the early days of Control; I've always admired
> his work and the magazine (I was lucky enough to be included in an early
> issue). You might want to take note of the exhibition; his work resonates
> in many ways with Furtherfield, DIWO, etc.
>
> Thanks, Alan
>
>
> http://www.tate.org.uk/whats-on/tate-liverpool/tate-
> exchange/workshop/stephen-willats-control
>
>
> ------------------------------
>
> Message: 4
> Date: Mon, 7 May 2018 00:27:42 -0400 (EDT)
> From: Alan Sondheim <sondh...@panix.com>
> To: NetBehaviour for networked distributed creativity
>         <netbehaviour@lists.netbehaviour.org>
> Subject: [NetBehaviour] bad sarangi
> Message-ID: <alpine.neb.2.21.1805070027300.4...@panix3.panix.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
>
> bad sarangi
>
> http://www.alansondheim.org/sarang7.jpg
> http://www.alansondheim.org/bad.mp3
> http://www.alansondheim.org/sarang4.jpg
>
> the sound follows me, will follow me, bad and terrible music.
> i think sometimes bad music is more interesting than no music
> at all but then i think good grief, i don't really mean that.
> it's an admission of guilt in the production of bad music.
> this bad music this bad memory this space-time collapse,
> i could go on but you get the drift.
> bad music? of course, what else in a strong cold wind! -
> but i'm inside and have no excuse.
> I am not afraid to play bad music. yes i am.
>
> i cannot for the life of me and the planet make this sarangi
> sound even tolerable. my play is worse than that. the awfulness
> might be interesting but it's not even that. i will have
> nightmares over this. i hope it does not cause wars. it is
> simply the worst. i cannot believe i did this. i cannot.
> oh my god i cannot.
>
> bad sarangi. bad bad sarangi. bad bad sarangi is me.
>
>
>
> ------------------------------
>
> Subject: Digest Footer
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> End of NetBehaviour Digest, Vol 193, Issue 1
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