http://rhizome.org/discuss/view/47694
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The sixth in a series of 10-minute videos about the adventures and
frustrations of an ordinary (but rather hirsute) General Practitioner.
In this one, Dr Hairy finds that his straight talking has all sorts of
unexpected - but hilarious - results! The second of three parts.
To view it on my
http://robmyers.org/weblog/2010/11/you-cant-spell-fungible-without-fun.html
There are artworks that are very similar technically but utterly
distinct culturally and historically. Take the examples of a Kasimir
Malevich painting of a black square from revolutionary Russia and an Ad
Reinhardt
punishh my hhands
http://espdisk.com/alansondheim/punish.mp3 solo oud
i punishh my hhands because carpel ttunnel makes playing difficultt
i make tthhem do tthhings tthhey don'tt wantt tto do screaming
jointt and wristt screaming tthhey don'tt wantt tto do tthhis
tthhey don'tt wantt tto ttype
this also relates to aura and the istinction between analog and digital
phenomenologies, and what's tagged where; it's possible to make a digital
editor as an artwork and tagged as such (for example an editor of inter-
ferences and substitutions); it's also possible to consider a digital
THERE IS NO PLACE LIKE HOME.
What is home for you?
The Tea Room is the first episode of b...@home.
Is a daily routine placing our sense of home?
This is an interactive live installation.
You are invited to take part online with comments, thoughts, pictures and what
ever comes to your
http://www.zdnet.com/blog/storage/mob-sourcing-the-prejudice-of-crowds/1165
As more web content is crowd sourced and crowd moderated, are we seeing
only the wisdom of crowds? No, we’re also seeing their prejudice. The
Internet reflects both the good and ugly in human nature.
On 11/10/2010 07:32 PM, Alan Sondheim wrote:
this also relates to aura and the istinction
Yes auratic and mechanically reproduced artworks are basically
autographic and allographic, non-fungible and fungible.
between analog and digital
phenomenologies, and what's tagged where; it's possible
On 11 November 2010 00:04, Rob Myers r...@robmyers.org wrote:
There is something culturally interesting about Macs that has as much to
do with logistics and experience design as with software. They are
constrained experiential affordances, carefully ground lenses for being
- they are like the
Flavour (please listen with full bass, relax)
the mudrah hands and the rasa eyes
With a new recording setup, bass zither and viola come into their own.
I'm playing them well.
http://espdisk.com/alansondheim/flavour.mp3 solo bass zither
http://espdisk.com/alansondheim/flavour2.mp3 solo viola
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