Hello,
this is a belated follow-up to the thread from October 2013 regarding my
work. I tried to time this with Rhizome's 7x7 watch party last month which
I suspected was the final London event they needed to get the rest of their
Arts Council money, but I couldn't get everything together. I
Hi all,
Thanks for a good discussion. It's why I used the term the strange tale
in the headline - the article wasn't designed to tear down ACE or Rhizome -
in fact, I had written a rather fluffy article being generally positive
towards Rhizome last week for a different publication.
I guess that
On 31/10/13 05:15 AM, Paul Squires wrote:
I guess that I wanted to just report on what happened, to give ACE their
right of reply, which they duly did, and to end with open question as to
what the public support of digital art looks like in 2013 - how
decisions are made and to whom they
://www.imperica.com/en/news/the-strange-tale-of-rhizome-and-its-arts-council-funding
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is the link to the rest of the article on the matter.
http://www.imperica.com/en/news/the-strange-tale-of-rhizome-and-its-arts-council-funding
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Council England (ACE), with the account owner claiming to have
hacked into Rhizome's email and web CMS.
Here is the link to the rest of the article on the matter.
http://www.imperica.com/en/news/the-strange-tale-of-rhizome-and-its-arts-council-funding
about Rhizome's
application to
Arts Council England (ACE), with the account owner claiming to have
hacked into Rhizome's email and web CMS.
Here is the link to the rest of the article on the matter.
http://www.imperica.com/en/news/the-strange-tale-of-rhizome-and-its-arts-council
.
Here is the link to the rest of the article on the matter.
http://www.imperica.com/en/news/the-strange-tale-of-rhizome-and-its-arts-council-funding
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://www.imperica.com/en/news/the-strange-tale-of-rhizome-and-its-arts-council-funding
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Hi Ana,
I have been thinking about this a lot today,
The article itself on emprica and the hacking was interesting. But I'm
not sure who this really serves.
We live in strange, horrible difficult neo-liberal times - and if
anything happens that brings about possible forms of emancipation
I was the inmigrant alibi in all those funding organizations and I accepted
after discussions with many comrades. I felt at the beginning I was used but I
did my best to take to the surface alternative anarchist individuals or groups
unknown for the most of my colleagues.
I was not among the
On 30/10/13 08:40 AM, marc garrett wrote:
Also, the money was from a UK budget there are lots of smaller groups
in the UK need of support who are not as big as the Barbican Rhizome.
Quite.
Internationalism and avoiding splits are not considerations when a large
American organization is
But Rob, is Rhizome a part of the etablishment? Cultural imperialism are
for me all the infamous tv-series we are invaded with, CSI somewhere,
Hostages (made by Israeli television) and showing horrendous scenes of
torture as the most normal things, Homeland (same Israeli and US
collaboration), etc
On 30/10/13 11:22 AM, Ana Valdés wrote:
But Rob, is Rhizome a part of the etablishment?
They've worked very hard to be.
Cultural imperialism are
for me all the infamous tv-series we are invaded with, CSI somewhere,
Hostages (made by Israeli television) and showing horrendous scenes of
I don't think you can describe Rhizome as large. It's two and a half people,
basically - and survives in main part from donations, as US state arts funding
is so poor. I think it gets some money from the Warhol Foundation charity too.
The Barbican is large but mainly funded from the City of
Hi Ana,
yes, I agree again - the more money we can get the more people we can
bring with us ;-)
wishing you well.
marc
I was the inmigrant alibi in all those funding organizations and I accepted
after discussions with many comrades. I felt at the beginning I was used but
I did my best to
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