well.. this is a piece done for 21C - we're just in the final phases
of setting it up as a quarterly, and julian Laverdiere is one of the
people who designed the cover for the new issue. He was, along with
Paul Myoda, and also one of the principal folks involved with
designing up the "Towers o
On Tue, 30 Sep 2003 17:33:53 +0200, Florian Cramer
<[EMAIL PROTECTED]> wrote:
>Forwarded, with permission, from my friend tENTATIVELY, a cONVENIENCE. -
>I think this raises interesting questions about the integrity and
>politics of open content, collaborative online projects and knowledge
>reposit
I have been reading quietly in a corner of my own, all
of these responses to the original request posted to
nettime from eyebeam's beth.
The thread is remarkable for qualities that include:
the fact that no one really knows what kind of a
social structure nettime really has. To say that it
is a
Just to continue this dialogue with Ryan on the idea of concieving
society as a force field between three poles:
>the US New Deal policies could be seen as restrictive
>on markets or as a tactic of preservation of them by
>the state.
Those policies did both: and don't forget the threat posed to
On Montag, Sep 22, 2003, at 20:34 Europe/Budapest, Lev Manovich wrote:
> Lev Manovich
>
> Don't Call it Art: Ars Electronica 2003
>
>
> In choosing CODE as its theme, Ars Electronica 2003 has capitalized on
> (some would say: appropriated) developments within the field of new
> media
> art that a
>All that being said, it's clear why nettime can't respond to Beth, etc.;
>there's no one, no/thing to respond - which is nettime's very strength.
i think nettime *can* respond. anyone can sit on their panels, give
speeches for nettime, anyone who subscribes to the list can receive the
oscar no
hi Geert,
Nice review. Mind if I pick up on a little tidbit?
> In the network age ideas are carefully designed 'memes' that
> travel far out without losing their core meaning.
If, in the age of the subculture, concepts travelled as memes through the
fledgling networks‹as concepts to be remixed
Forwarded, with permission, from my friend tENTATIVELY, a cONVENIENCE. -
I think this raises interesting questions about the integrity and
politics of open content, collaborative online projects and knowledge
repositories.
-F
- Forwarded message from anonymous <[EMAIL PROTECTED]> -
From:
Media Art in Croatia
written and edited by Darko Fritz
http://www.culturenet.hr/v1/english/panorama.asp?id=39
First survey and attempt at defining the term Media art in Croatia in its
historical context and setting up a relevant database. Media Art in
Croatia is part of the culturenet.hr web por
