Hi Simona,
yes I see your point. And I very much respect the work you have done with the
illegal art practitioners.
And I understand the link you are making. I am happy to reflect and re-draft
the article on my blog to
better reflect reality.. that is after all the good thing about nettime’s
a
David, congratulations. You have done it.
I am too busy working on my own version of evidentiary art to do more than
speed read your text, but when I get a breath I will do it justice and
respond with a little less of a one-note drone than John Young. It is clear
to me that you have tied together
A short follow up on from the earlier posting on Evidentiary Realism as today
there is a review of the remarkable work of Lawrence Abu
Hamden’s work in today’s Guardian to coincide with his show as part of this
year’s Turner Prize shortlisted artists.
Abu Hamden is a frequent contributor to Fo
"The sensibilities of an architect an artist or a film maker are very
useful in figuring out what has taken place."
These sensibilities are predominantly those of the market supported
by tax benefits and short-term jobs ruled by highly-paid hierarchies.
Star-branding prevails, realism is most
- Beyond the Evidence - The Rise and Rise of Evidentiary Realism
http://new-tactical-research.co.uk/blog/beyond-the-evidence-2/
At a time when right wing populist demagogues routinely denounce experts and
expertise a movement of interdisciplinary
artists and researchers has emerged whose work