Hello all,
regarding Alnwick piper's website:
Hosting for this domain is not configured or the domain is not
registered.
Inky-Adrian
--
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Hi All
Have advised the person who maintains the website for us of the problems
which have occurred so hope the site will be sorted soon. Apologies for any
inconvenience.
Regards
Di Jevons
for APS
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Parnell's March NPS Bk 2, p.3: it's written out as a jig, but isn't
it really a hornpipe?
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I thought it was a march!
There isn't much to choose between how people play dotted 4/4, (as in the duet
book arrangement of this) and how they play 12/8 anyway.
If it has 4 beats in the bar, (strong-weak-strong-weak) and a good bounce to
the rhythm, it will sound right, however you spell it.
Hello both all,
12/8 is the most accurate way of getting the Newcastle (as James Hill
named it) hornpipe rhythm across (i.e. best for writing
the common hornpipe 2:1 note ratio). The dotted quaver/semiquaver
system gives a 3:1 ratio which is not accurate (as anyone who has used
Hi All,
There is of course a great deal of truth in Anthony's post, but
notating hornpipes in 12/8 just doesn't do it for me. The 2:1 ratio
is certainly a good guide. 3:1 feels more scottish to me.
The problem I found with Parnell's march in 6/8 is that when I see 3
quavers in a 6/8 rhythm I
I am uploading sections of a video of Colin Ross making the tongue
for a metal bodied drone reed, filmed at the same time as the chanter
reed video..
I have left it 'uncut' In the interests of accuracy, mindful that
what I think is surplus to the production, might be crucial piece of
I'm missing something here! Isn't it a march?
Helen Capes
Quoting John Dally dir...@gmail.com:
Parnell's March NPS Bk 2, p.3: it's written out as a jig, but isn't
it really a hornpipe?
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