[NSP] Re: Doubleday et al

2010-12-19 Thread Richard York
(I've missed a day on this, while I was daft enough to honour a gig in Hampstead: 1 hr 40 there, 7 hours 20 back. The joys of the soft south!) You're absolutely right, John. It is, to adapt an earlier comment, pointless comparing apples and potatoes. But since we've mentioned it I was

[NSP] Re: Doubleday et al

2010-12-19 Thread Matt Seattle
On Sun, Dec 19, 2010 at 12:55 PM, Richard York [1]rich...@lizards.force9.co.uk wrote: for me hearing Billy Pigg (interesting how often his name crops up in this) playing the Wild Hills of Wannie just Did It ... a seed was set Yes -- References 1.

[NSP] WHW

2010-12-19 Thread Gibbons, John
That recording of Billy's 'did it' for many of us, I'm sure. Quite far from the idealised view of the Northumbrian Tradition in Doubleday, or the actual tradition he learned from Tom Clough, but wonderful music for all that. Listening to RTE, and artists like Leo Rowsome, must have been a

[NSP] Re: Doubleday et al

2010-12-19 Thread Francis Wood
On 19 Dec 2010, at 12:55, Richard York wrote: It would be interesting to know how many people, either within the North Eastern fold or out of it, were first inspired by hearing Mr Pigg's playing, though. Well, me for a start. Knowing almost nothing about traditional music, and never

[NSP] Re: WHW

2010-12-19 Thread Gibbons, John
I'd heard NSP before - including Billy's TV appearance. But that record was what really got the fire burning - Jack Armstrong's LP didn't quite do it for me. Also, as you say, the notes - almost a book - were excellent. Colin's transcription of The Wild Hills of Wannie really helped me to

[NSP] Re: Doubleday et al

2010-12-19 Thread Colin
I did mention earlier that Billy Pigg was my first introduction to the pipes (although I was familiar with the Irish pipes but not through playing). 1968, Corries TV program and a very unassuming gentleman was being asked by them regarding the pipes and giving answers like yes and no. He played

[NSP] Re: WHW

2010-12-19 Thread Francis Wood
On 19 Dec 2010, at 15:47, Gibbons, John wrote: Good luck to any intrepid souls attempting the yomp on Boxing Day! It might be a chilly one! Yes, it will depend on the conditions. Title for a new march there . . . 'Yomp and Circumstance March' perhaps? Francis with apologies To get on

[NSP] Re: Doubleday et al

2010-12-19 Thread brimor
What really got me interested was the gift of Kathryn's first cassette, On Kielder Side. Wonderful music! It was given to me by friends who live on Orkney and heard her at the Orkney festival. At that point I was trying to learn to play the Highland chanter. The teacher had just received

[NSP] Re: WHW

2010-12-19 Thread Anthony Robb
Hello John It had exactly the same effect on me despite being besotted by the original Tom Clough 78 (which Ron Elliott bought by chance in Harrogate market in the late 60s). The postman delivered Billy's album as I was leaving for the lab at Aston. I put it on the record player

[NSP] Re: Doubleday

2010-12-19 Thread Helen Capes
The pipes are a brilliant but not capable of the highest level of expressiveness. Anthony, go wash your mouth out with soap!! Helen To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[NSP] Re: Doubleday

2010-12-19 Thread inky-adrian
Hello all this instrument does not lack ability, it lacks players who can't play in the correct method; not many can do that. Expression is emphasised in precision. I'm not here to delineate. There is no more expression in those who can play the detached method with feeling. To get on or