Today John Gibbons wrote:
   Is 'the NSP don't move Anthony as much as the fiddle does', a sentence
   about the NSP or about Anthony?

   The answer has to be it's about both. My question is where did the
   sentence come from? Definitely not the email you are replying to, where
   I said, "... pipes in the right
      hands (as Inky Adrian recently pointed out) hit the heart and brain
      every bit as surely as, say, Heifitz or indeed "Choralation" (Rowan
      Johnston's New Zealand choir)".
   I included the reference to "Choralation"  because that choir had
   almost a whole audience moved to tears in Hexham Abbey on the 12th of
   this month. Not only was I saying the pipes had the power to move me as
   much as fiddles they even had enough power to move me as much as the
   human voice. This for me is the ultimate compliment to pipes.
   He goes on to say:
   As for Peter Kennedy's 'Drops and Raises' aren't they a survival of
   18th C performance practice, which may well have been exactly how the
   genteel pipers of the early 19th C would have wanted to play, if they
   could?

   Well John, they might well be but I don't think so. Here's a little bit
   of what he says:

   "This rhythm on the fiddle is created by the traditional tecnique, or
   as the country musicians call it, by the "drops and raises. .. This
   rhythmical technique gives the pulsating effect the dancers call
   'lilt'. But it also gives continuity. The shimering melodic line,
   fluctuating from weak to strong, flat to sharp, short notes to long,
   soft to loud, gives a continuous living environment for the pulsations.
   Continuity is also aided by the occasional use of drones. .. Inheriting
   the technique 'traditionally' makes for a standard of dance playing
   very difficult to acquire in any other way. Let me repeat that the
   tunes inn this book are only outlined in the notation and some wider
   experience is required than learning them from the printed page.
   Listening to good traditional players on gramophone records or on the
   radio, or better still, in the flesh, will inform the fiddler as no
   notation can do."
   Peter Kennedy

   That's a taste of it but enough to allow people to decide the answer to
   your question for themselves.

   Cheers
   Anthony

   --


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