In an article about the artist Haegue Yang in the NY Times Sunday Style Magazine, they say: "One of Yang’s first big comeback pieces, and the one that launched her career, was 2006’s “Sadong 30,” which took place in Incheon, a port city in South Korea, inside her late grandmother’s old house, abandoned for nearly a decade. It was a ruin, with missing windows, peeling wallpaper and holes in the ceiling. Yang placed broken and intact mirrors, a folding laundry rack, lights, an oscillating fan and clusters of delicate origami stars within the derelict rooms."
The adjacent picture shows an empty, abandoned room with multiple origami kusudama and other modulars: https://preview.tinyurl.com/r2dknbu Caption: "Yang’s 2006 installation “Sadong 30,” in an abandoned home in Incheon, South Korea.Credit...Haegue Yang, “Sadong 30,” 2006, installation view, light bulbs, strobes, light chains, mirror, origami objects, ..." There is also a picture of her 2019 exhibit at the Museum of Modern Art in NYC (that I was fortunate enough to see late last year) with many origami-like pieces: https://preview.tinyurl.com/rgus95b Caption: "Yang’s 2019 installation in the atrium of the Museum of Modern Art in New York, which includes mobile sculptures and subtle references to geopolitical events" And here is the link to the full article: https://nyti.ms/393Cvyl Yaacov Metzger PS Karen Reeds, I'm surprised you missed it!
