could be, I know nothing really about it. But I think I've read something
that stated so. And I also tried it and saw that you could inverse filters
like that.
cheers
2014-04-22 21:06 GMT-03:00 Robert Esler :
> Though with DC you don't have the issue of phase. I'm not an expert in
> filter ma
Though with DC you don't have the issue of phase. I'm not an expert in
filter math, but I assume that by the time your filtered audio (assuming its
not DC) gets subtracted by the [-~] object it is out of phase with the
original signal. Moreover, I hear a distinct difference. Maybe I'm not
conce
can;t remember where I saw about this, but check this link
http://msp.ucsd.edu/techniques/v0.11/book-html/node141.html
see the quote "An easy and practical way to remove the zero-frequency
component from an audio signal is to use a one-pole low-pass filter to
extract it, and then subtract the res
Thank you for that link, that's awesome.
On Tue, Apr 22, 2014 at 1:37 PM, Robert Esler wrote:
> I could be wrong, but I don't think it's quite the same thing. I believe
> the signal would be out of phase negating many of the effects of the
> filter. I would recommend using [biquad~] and in pd
I could be wrong, but I don't think it's quite the same thing. I believe
the signal would be out of phase negating many of the effects of the filter.
I would recommend using [biquad~] and in pd-extended there is a [notch]
object which takes care of the coefficients. This sounds much cleaner and
m
Hi Federico -
tabread4~ doesn't interpolate between values of the input signal, or to put
it another way, whast it does as a result of any input sample has no effect
on what it will do on the next one. (It interpolates across the values of
the table instead.)
One pretty good way to deal with dis
Hi,
I'm working on a granular sampler borrowing parts of the patch on pd-tutorial
(http://www.pd-tutorial.com/english/ch03s07.html).
Everything works smoothly except for one little annoying problem. If I fire the
sample before the last one is through, sometimes I get a click at the beggining
o
Hi, I may be wrong, but I think the pictures are loaded into you GPU memory,
not the CPU RAM... I solved this problem by batch processing my photos in some
external software to reduce their weight. worked fine.
D.S
http://www.flickr.com/photos/schafferdavid/
https://soundcloud.com/schaffer
Hi
One option, if you want an automated fade out at the end of your file would be
to use two readsf~ objects loading/reading the same file but delayed by the
duration of the desired fade. The first reader would send a bang when it's
finished reading the file and that bang coud be used to tri
http://www.flickr.com/photos/schafferdavid/
https://soundcloud.com/schafferdavid
From: schafferda...@hotmail.com
To: j...@rybn.org
Subject: RE: [PD] Console error: 'Out of memory'
Date: Tue, 22 Apr 2014 13:13:35 +
Hi, I may be wrong, but I think the pictures are loaded into you GPU mem
fade in and out is quite easy to do with a toggle, a [pack f 1000] for
setting the line time, and [line~] to do the ramp on the [*~] that is
multiplying [readfs~] signal, but for automatic fadeout there is a need
to know the length of the sound file obviously.
Le 22/04/2014 13:33, Simon Wise
On 22/04/14 21:12, Claire O'Connor wrote:
I am still having a bit of trouble. I am using another line object to ramp
up the number box to fade in my .wav file but when I go to ramp it back
down, it jumps straight to zero. I have also tried to 'reset' the line
object but that involves sending a me
I am still having a bit of trouble. I am using another line object to ramp
up the number box to fade in my .wav file but when I go to ramp it back
down, it jumps straight to zero. I have also tried to 'reset' the line
object but that involves sending a message '0' which makes the amplitude of
the .
Hi IOhannes, thanks for replying! I'm not sure I really understand your
explanation of a patch that I would use though, is there any way you could
make it clearer or attach a .pd file? Sorry, I'm just not great at all this!
Thank you again!
On 22 April 2014 11:43, IOhannes m zmölnig wrote:
> O
Oh nevermind, I think I got it! Thanks :)
On 22 April 2014 11:50, Claire O'Connor wrote:
> Hi IOhannes, thanks for replying! I'm not sure I really understand your
> explanation of a patch that I would use though, is there any way you could
> make it clearer or attach a .pd file? Sorry, I'm just
On 04/22/2014 12:31 PM, Claire O'Connor wrote:
> Hey everyone,
>
> Just wondering if anyone knows how to control amplitude with 'readsf~'? I
> want to use 'line~' to ramp it down but am unsure as to how it would all
> connect up.
[*~]
multiplying an audio signal (like the output of [readsf~]) wi
Hey everyone,
Just wondering if anyone knows how to control amplitude with 'readsf~'? I
want to use 'line~' to ramp it down but am unsure as to how it would all
connect up.
Thanks!
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On 04/17/2014 06:21 PM, Jonathan Wilkes wrote:
> In addition, a blue, underlined hyperlink fits perfectly with Pd's 1990s
> motif aesthetic.
+1
though it probably should be red (as in "error").
even the 1990s had:
fgmdsr
IOhannes
signature.asc
Description: OpenPGP digital signature
_
That's right. I don't have any good examples of this but it should work
fine.
cheers
M
On Mon, Apr 21, 2014 at 02:02:15PM -0700, Jonathan Wilkes wrote:
> I think I answered my own question. It looks like I can use CLASS_NOINLET,
> then create an inlet explicitly inside the *_new function for m
On 04/22/2014 01:50 AM, Claire O'Connor wrote:
> Hi everyone,
>
> I'm having a bit of trouble understanding how to use pix_buffer, pix_read
> and pix_write. Does anyone know of any good tutorials or somewhere online
> that can help to teach me about them?
they work the same as [table], [tabread]
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