Hi Adam,
One of the great joys of Pd, messing with code, sound and creativity in
general, for me anyway, is starting off with a clear idea. You seem to have
that, though to give us a clearer idea of intention, perhaps you could say
what source(s) the chords will be generated from?
My own approach
If you're working from a strictly musical perspective, would it be worth
using [mtof] and [ftom] so you can deal with the notes as musical pitches
rather than frequencies? I know I find MIDI math a whole lot less daunting.
If you're then looking for pitches that "work" with the a chord, you can
That is a wonderful question. Here's a deep and thoughtful paper about
it...
https://static.uni-graz.at/fileadmin/_Persoenliche_Webseite/parncutt_richard/Pdfs/Pa11_tonality.pdf
The rough answer: using theory of consonance and dissonance that goes bacy
to Helmholz, Krumhansl and Kessler
Hi,
I think it's not really clear what you're after. Your chords are already
lists of frequencies... Or are you talking about partials/overtones? The
overtone structure of each tone is different for each instrument/synth
and can also change over time. In theory, each tone has an *infinite*
Hi, i need to automatically get all the frequencies from a chord.
For example imagine i have chords as frequencies in messages:
Chord1 = [195, 174, 146, 116, 58(
Chord2 = [ 155, 130, 103, 87, 43(
I want to do something like this: ?Chord1.giveMeAllFrequencies
And then get a list with the
