All this discussion makes me wonder about relative things such as dedicated
DSP hardware for audio that's still out there in the market. Which are
they??? How relevent are they these days?
btw, I found a fun post to read on this thread: it's the 4th post,
automatically linked here:
https://www.gea
Joel Chadabe is among the composers using Kyma for whatever we're calling
"contemporary classical music" these days. I think there are some videos of
him demonstrating it, and there are certainly recordings of his
compositions. I remember a performance of a drumset and Kyma piece of his
that had al
I don't have experience with Kyma but have always been curious. I assume there
are some nice proprietary algos that are what you're paying for (like buying
lexicon or eventide hardware) - along with a presumably nice ui. The dsp
hardware specs of those types of effects are often unpublished - bu
Dear all,
honestly I never used Kyma. Anyway, I realized a port to Pd of a
composition of Agostino Di Scipio born in Kyma. Apart all technical and
aesthetic problems due to the different implementation, my opinion is that,
in this specific case, Pd can perform all tasks with no CPU problem and
wit
Hi, any of you guys into Kyma? So many questions about this thing I've
never seen...
It's quite expensive and I wonder where the buck goes to... software
design? User experience? Whatever it is, it doesn't seem its dedicated
hardware justifies even half the cost... c'mon, 3k for what kinds of
pro
