Thanks Attila, 32 was pushing it agreed. It was an attempt to turn a
putrid yellow green into pure white, but I might rework again.
pdml-requ...@pdml.net wrote:
Message: 13
Date: Thu, 9 Jan 2014 13:26:00 +0200
From: Attila Boros
To: Pentax-Discuss Mail List
Subject: Re: Geso Moments
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with the modern.
For SMUGMUG I grabbed a theme to try the new system but I need to
refine some.
pdml-requ...@pdml.net wrote:
Message: 8
Date: Wed, 08 Jan 2014 17:30:26 -0500
From: Ann Sanfedele
To: Pentax-Discuss Mail List
Subject: Re: Geso Moments
Message-ID:<52cdd182.8000...@nyc.rr.com&g
ntax-Discuss Mail List
Subject: Re: Geso Moments
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Don, in this type of architectural/street I look for simplicity, so
for me the strongest two are -29 and -30. -30 is pretty cool.
Were it my choice, I would reframe/crop -29 to eliminate
I like 30 and 32 for the nice geometry, but 32 looks too bright.
On Wed, Jan 8, 2014 at 10:37 PM, Don Guthrie wrote:
> A small gallery of photos taken in the city. I am a little off the
> reservation with these... in style and process. Not my usual picture
> landscape photos. I would appreciate
Ok , here goes..
given the order they are in. The cyclist going by the hotel is a nice
slice of city life - though kinda bland to me. The one with the strong
shadows would work well except for the large shadow on the left.. yet
cropping that out alone leaves some imbalance - might want to play
Don, in this type of architectural/street I look for simplicity, so
for me the strongest two are -29 and -30. -30 is pretty cool.
Were it my choice, I would reframe/crop -29 to eliminate the dark
ceiling -- ie focussing on almost entirely white with lines & curves.
(But I think it would require a
A small gallery of photos taken in the city. I am a little off the
reservation with these... in style and process. Not my usual picture
landscape photos. I would appreciate any C&C the group can offer. Thanks
http://donspix.smugmug.com/Street-Scenes/On-the-Scene
or
http://www.flickr.com/phot
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