> Bob Walkden wrote:
>
> "Some of the museums here are like that too. Particularly Tate
> Modern and the National Maritime Museum - they're on you like a
> rash. Others though are fine, especially the V&A. Elliott Erwitt
> talks about it in his book 'Museum Watching'. He says the
> guards ha
Hi,
Bob Walkden wrote:
"Some of the museums here are like that too. Particularly Tate
Modern and the National Maritime Museum - they're on you like a
rash. Others though are fine, especially the V&A. Elliott Erwitt
talks about it in his book 'Museum Watching'. He says the
guards have such a
Those guy's were pirates.
On the bright side the winder motor on the Z70 was strong at least.
At 10:31 AM 9/10/2002 -0600, you wrote:
> >From: Peter Alling <[EMAIL PROTECTED]>
> >To: [EMAIL PROTECTED]
> >Subject: Re: Origin Myths
>
> >Why did you just lo
>From: Peter Alling <[EMAIL PROTECTED]>
>To: [EMAIL PROTECTED]
>Subject: Re: Origin Myths
>Why did you just look at the bottom of the line Pentax AF gear, those
>bodies are the _only_ one's that
>you couldn't use all, (well at least all of the genuine Pentax
<< I also don't know about this looking like a pro business. Most non
>photographers don't know squat. You could put a big flash and a long lens on
>a Miranda and fake out most folks. Real pros can spot an amatuer at 100m
>before they even open thier camera bag. About the only one you're real
Ya, tell me about it! :)
- Original Message -
From: "wendy beard" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, September 09, 2002 11:07 PM
Subject: Re: Origin Myths
> At 22:04 9-9-2002 -0400, Brad Dobo wrote:
> >What I really don't
At 22:04 9-9-2002 -0400, Brad Dobo wrote:
>What I really don't
> > like is how hard it is to get anything where I live. Pentax in Toronto
> area
> > always seems to be out of whatever I want and it gets shipped by boat
> > from Japan. I ordered the longer cable release 3 weeks ago and was told
A story that some of you may find interesting: I've been taking occasional
pictures for a long time but photography as a hobby was pretty much dormant
since the mid 1970s. I was shooting about 12 rolls of film a year and most
of those were pictures of my son when he was little. I was using an old
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