On 14 Jun 2002 at 15:06, Paul F. Stregevsky wrote:
> Now to the 135mm contest: Pentax 135/1.8 vs. Vivitar Series 1 135/2.3.
> Somehow, all my collected comments on the Pentax have been erased. The
> comments I've collected about the Vivitar state that it's sharp at all
> apertures. The Pentax,
Knut,
You're right about the 35/2 FA; I had forgotten about this autofocus lens.
I guess I stand corrected about the Sigma 50 macro being sharper than the
Pentax 50/2.8 FA. It sharpness is nothing short of phenomenal. Yoshihiko
Takinami writes: "This macro is excellent not only for macro work
Just to add:
Formally tested the F 50/2.8 is definitely better than the Sigma 50/2.8 EX
in contrast as well as resolution according to the www.photodo.com website.
Knut
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In a message dated 6/14/2002 8:24:15 AM Pacific Daylight Time,
[EMAIL PROTECTED] writes:
> Art directors have a funny way of
> noticing little things like changes in colour rendition.
> I found this to be such an issue that I changed from Nikon to
> Pentax, partly to get similar rendition betwe
I'm sure Pentax is surpassed at times, but I'm surprised at your statements
concerning the following comparisons:
1) FA 35/2.0 AL versus Zeiss Jena 35/2.4 (M42)
I would bet that resolution will be better for the Pentax, especially in
the corners at at any f-stop below f4. I'm not sure in what
>"I would wager that no one could tell if the images were shot with or
>without Pentax lenses any more than you could tell if they were shot with a
>Nikon or Canon lens. Come on guys. Bokeh smokeh. Get real."
I don't know about Canon, but I used to have some AF Nikkors. The colour
reproduction f
Vic ([EMAIL PROTECTED]) wrote:
"I would wager that no one could tell if the images were shot with or
without Pentax lenses any more than you could tell if they were shot with a
Nikon or Canon lens. Come on guys. Bokeh smokeh. Get real."
I'm reminded of Shel's amusing tale about how he posted a
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