Hi!
Peter, it goes straight to my knowledge base ...
PJA> Actually Boris, that was a brainfart. The actual URL is at Photonet.
PJA> http://www.photo.net/photo/sepia/index
PJA> Hope you weren't looking for something different.
PJA> --Peter
Boris
([EMAIL PROTECTED] or [EMAIL PROTECTED])
Actually Boris, that was a brainfart. The actual URL is at Photonet.
http://www.photo.net/photo/sepia/index
Hope you weren't looking for something different.
--Peter
Boris Liberman wrote:
Hi!
PJA> Thanks for the comments Boris. I've used other methods to duplicate the
PJA> effects of sepia
Hi!
PJA> Thanks for the comments Boris. I've used other methods to duplicate the
PJA> effects of sepia toning for this
PJA> one I tried the method posted at DP Review. I have to admit it looks to
PJA> my eye to more closely approximate
PJA> the efects of the chemical process on B&W prints. That
Thanks for the comments Boris. I've used other methods to duplicate the
effects of sepia toning for this
one I tried the method posted at DP Review. I have to admit it looks to
my eye to more closely approximate
the efects of the chemical process on B&W prints. That tends to
increase the cont
I'm glad you like it. Thanks.
Boris Liberman wrote:
Hi!
ft> I like it. It seems to have a very timeless feel to it; there are no
ft> visual cues that this wasn't taken 100 years ago, or 150 years ago, except
ft> of course that they didn't have TriX then .
I agree with you, Frank.
ft> I like
Hi!
ft> I like it. It seems to have a very timeless feel to it; there are no
ft> visual cues that this wasn't taken 100 years ago, or 150 years ago, except
ft> of course that they didn't have TriX then .
I agree with you, Frank.
ft> I like the framing - chopping off the top of the spire is in"
As opposed to those non-crass commercial reasons?
-frank
"The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true." -J. Robert Oppenheimer
From: "Peter J. Alling" <[EMAIL PROTECTED]>
So my choices were made for crass commercial reasons.
enheimer
From: "Peter J. Alling" <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PAW Another Cut Re: PAW -- Church on Branford Green Date:
Fri, 02 Apr 2004 12:52:47 -0500
I'd like to thank everyone who commented. There weren't many but the
w
st
fears it is true." -J. Robert Oppenheimer
From: "Peter J. Alling" <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PAW Another Cut Re: PAW -- Church on Branford Green Date: Fri, 02
Apr 2004 12:52:47 -0500
I'd like to thank everyone w
I'd like to thank everyone who commented. There weren't many but the
way I operate with the PDML is to delete most every message
immediately after reading to keep from hopelessly clogging my mailbox,
so unfortunately I can't thank everyone individually. I wasn't as
happy with this image as I li
Peter,
I like it. It seems to have a very timeless feel to it; there are no
visual cues that this wasn't taken 100 years ago, or 150 years ago, except
of course that they didn't have TriX then .
I like the framing - chopping off the top of the spire is in"spired"
(couldn't resist). I probab
Peter, FWIW, on my monitor, what should appear as white has a slight, but very
noticeable pink tint. Was this taken with a filter? In any event it should be easy to
correct in PS (set white point & dark point in levels).
Compositionally, the fellow in the LRHC is a distraction.
Ken Waller
-O
Cement Company from HELL!'
Updated: August 15, 2003
- Original Message -
From: "Shel Belinkoff" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Thursday, April 01, 2004 6:09 PM
Subject: Re: PAW -- Church on Branford Green
Have you looked at what comes up o
13 matches
Mail list logo
