Hi!
Peter, it goes straight to my knowledge base ...
PJA> Actually Boris, that was a brainfart. The actual URL is at Photonet.
PJA> http://www.photo.net/photo/sepia/index
PJA> Hope you weren't looking for something different.
PJA> --Peter
Boris
([EMAIL PROTECTED] or [EMAIL PROTECTED])
Actually Boris, that was a brainfart. The actual URL is at Photonet.
http://www.photo.net/photo/sepia/index
Hope you weren't looking for something different.
--Peter
Boris Liberman wrote:
Hi!
PJA> Thanks for the comments Boris. I've used other methods to duplicate the
PJA> effects of sepia
Hi!
PJA> Thanks for the comments Boris. I've used other methods to duplicate the
PJA> effects of sepia toning for this
PJA> one I tried the method posted at DP Review. I have to admit it looks to
PJA> my eye to more closely approximate
PJA> the efects of the chemical process on B&W prints. That
Thanks for the comments Boris. I've used other methods to duplicate the
effects of sepia toning for this
one I tried the method posted at DP Review. I have to admit it looks to
my eye to more closely approximate
the efects of the chemical process on B&W prints. That tends to
increase the cont
As opposed to those non-crass commercial reasons?
-frank
"The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true." -J. Robert Oppenheimer
From: "Peter J. Alling" <[EMAIL PROTECTED]>
So my choices were made for crass commercial reasons.
It's sepia toned in Photoshop. I'm planning to print it and it's much
easier to get phony toned prints right on an
ink jet without special gray inks than phony b&w which explains that
choice. I like the composition on #1 better
as well but in a print it's much easier to get pre-cut 8x10 openin
I like #1 better.
The tinting or whatever on #2 isn't to my taste. And, I like seeing a bit
more steeple as in #1.
They're both good, though. I just prefer #1 is all. Since you asked...
cheers,
frank
"The optimist thinks this is the best of all possible worlds. The pessimist
fears it is tr
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