Frank,
One strange thing I've noticed about the LX is that it's noisier with
some lenses than with others. I've had six LX and it's been the same in
every case. Odd, but then, it's a Pentax!
frank theriault wrote:
> On the subject of the LX, I don't find mine particularly noisy, compared to
>
Langevin <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: RE: Using LXs, was: A turning point?
Date: Fri, 5 Dec 2003 13:18:39 -0500
http://www.photo.net/photodb/photo?photo_id=1161440&size=lg
Just to show you how bright our subways are.
And the photographer.
Thanks, Tom,
Of course, with beautiful children like that, how can one miss?
cheers,
frank
"The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true." -J. Robert Oppenheimer
From: "tom" <[EMAIL PROTECTED]>
> >http://www.photo.net/photodb/photo?photo_id
rfect...
Christian Skofteland
[EMAIL PROTECTED]
- Original Message -
From: "Bob Walkden" <[EMAIL PROTECTED]>
To: "Shel Belinkoff" <[EMAIL PROTECTED]>
Sent: Friday, December 05, 2003 1:59 PM
Subject: Re: Using LXs, was: A turning point?
> Hi,
>
>
http://www.photo.net/photodb/photo?photo_id=1161440&size=lg
Just to show you how bright our subways are.
And the photographer... Nice shot, Frank!
About LX noise, tonight I go for some stage shots (music) and, in
this case, I do have to bring along a Leica as when the music is
"low", the LX so
Hi Frank,
> First, I guess the lighting in Toronto's subways are better
> than your Tubes.
> In car shots are no problem, and it seems that the lighting
> in the stations is not too far off the lighting in the cars,
> so one can get some interesting shots coming into stations.
> I don't h
ll
be dealt with once my Leica is back from the shop (a little blade-cleaning
in the lens - oil...).
cheers,
frank
From: "Malcolm Smith" <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: <[EMAIL PROTECTED]>
Subject: Using LXs, was: A turning point?
Date: Wed, 3 Dec 200
frank theriault wrote:
> I've been (sort of) doing that with the LX for shots on the
> subway. Sit there with the camera on my lap, take off the
> prism, and look like I'm fiddling with the camera. The noise
> of the subway masks the sound of the camera, so no one even
> knows I've taken a p
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