har!
On 4/29/2012 10:30, John Sessoms wrote:
image 54
... where are you?
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image 54
On 4/28/2012 20:27, jn289 wrote:
Ann, I like the straight one..Joe
hmmm - as in "straight out of the box" or "corrected to straighten
verticals?"
thanks to all -- I've stuck with the 1st for my 2012 gallery -
which was my original preference - but I'm always second guessing mysel
On 4/28/2012 20:27, jn289 wrote:
Ann, I like the straight one..Joe
hmmm - as in "straight out of the box" or "corrected to straighten
verticals?"
thanks to all -- I've stuck with the 1st for my 2012 gallery -
which was my original preference - but I'm always second guessing myself.
ann
Ann, I like the straight one..Joe
On 4/27/2012 11:24, Igor Roshchin wrote:
I would vote for the 3rd one.
It would be similar to the 2nd, but not over-tilted.
har!
While I am not a stickler to having all photos leveled,
a bunch of Pisa poles are disturbing my eye.
So, the 2nd one is more pl
I definitely prefer the first one.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Fri, Apr 27, 2012 at 11:06 AM, Ann Sanfedele wrote:
> I've been going back and forth with this since I got back from Boston..
>
> Anyone have strong feelings about which of these is "better" ?
> Th
re dynamic!
Love it, Ann!
cheers,
frank
"What can be asserted without proof can be dismissed without proof." --
Christopher Hitchens
--- Original Message ---
From: Ann Sanfedele
Sent: April 27, 2012 4/27/12
To: "Pentax-Discuss Mail List"
Subject: Which PESO ?
I've
Quoting David Savage :
I like the original one.
But I don't subscribe the always level horizontals school of though.
As Dave knows, I do
But, while I would normally prefer the second, I think the amount of
cropping needed to straighten the image, spoils it's impact.
Pity there wasn
can be asserted without proof can be dismissed without proof." --
Christopher Hitchens
--- Original Message ---
From: Ann Sanfedele
Sent: April 27, 2012 4/27/12
To: "Pentax-Discuss Mail List"
Subject: Which PESO ?
I've been going back and forth with this since I got bac
The first, by a long shot.
Beautiful photo.
Cheers,
frank
"What can be asserted without proof can be dismissed without proof." --
Christopher Hitchens
--- Original Message ---
From: Ann Sanfedele
Sent: April 27, 2012 4/27/12
To: "Pentax-Discuss Mail List"
Subject: Whi
I see what you mean about the poles and over compensating... I think I
did the second, 1st then went back to the first one as a better choice.
And Tim pointed out "visual junk" that I couldnt even see in the lower
left . hmmm..
I like Paul's reason for liking the first better. Fascinating w
>> gsi...@gmail.com
>> www.georgesphotos.net
>> plus.georgesinos.com
>>
>>
>> On Fri, Apr 27, 2012 at 10:28 AM, Jack Davis wrote:
>>> The first one..by far. I prefer the perspective curve as well as the crop.
>>>
>>
2 at 10:28 AM, Jack Davis wrote:
The first one..by far. I prefer the perspective curve as well as the crop.
Very soft light omm.
Jack
- Original Message -
From: Ann Sanfedele
To: Pentax-Discuss Mail List
Cc:
Sent: Friday, April 27, 2012 8:06 AM
Subject: Which PESO ?
I've been going ba
On 4/27/2012 11:24, Igor Roshchin wrote:
I would vote for the 3rd one.
It would be similar to the 2nd, but not over-tilted.
har!
While I am not a stickler to having all photos leveled,
a bunch of Pisa poles are disturbing my eye.
So, the 2nd one is more pleasing, but I think you rotated it
From: Ann Sanfedele
I've been going back and forth with this since I got back from Boston..
Anyone have strong feelings about which of these is "better" ?
The first is as shot, the second is adjusted, as you see, to straighten
it but that necessitated a different crop.
http://annsan.smugmug.c
Of the two, the first is more dynamic. The second, cropped &
straightened as it is looks to static to me.
-p
On 4/27/2012 10:06 AM, Ann Sanfedele wrote:
I've been going back and forth with this since I got back from Boston..
Anyone have strong feelings about which of these is "better" ?
The
The second is immensely more pleasing to my eye. I think it’s not the
leveling, it’s having lost the visual junk in the lower left, freeing
up the smaller streetlight curves to echo the larger ones in the
center. -T
On Fri, Apr 27, 2012 at 8:06 AM, Ann Sanfedele wrote:
> I've been going back and
At the risk of redundancy, I'll echo the sentiments expressed by the others:
I like the first shot best, though the second shot certainly doesn't put
me off in any way.
(We don't have them there fancy bridges in western Kentucky, BTW.)
-- Walt
On 4/27/2012 10:06 AM, Ann Sanfedele wrote:
I'v
e..by far. I prefer the perspective curve as well as the crop.
>
> Very soft light omm.
>
> Jack
>
> - Original Message -
> From: Ann Sanfedele
> To: Pentax-Discuss Mail List
> Cc:
> Sent: Friday, April 27, 2012 8:06 AM
> Subject: Which PESO ?
>
>
The first one..by far. I prefer the perspective curve as well as the crop.
Very soft light omm.
Jack
- Original Message -
From: Ann Sanfedele
To: Pentax-Discuss Mail List
Cc:
Sent: Friday, April 27, 2012 8:06 AM
Subject: Which PESO ?
I've been going back and forth with this si
I would vote for the 3rd one.
It would be similar to the 2nd, but not over-tilted.
While I am not a stickler to having all photos leveled,
a bunch of Pisa poles are disturbing my eye.
So, the 2nd one is more pleasing, but I think you rotated it just a bit
too much. I would back off just a notch.
I like the original one.
But I don't subscribe the always level horizontals school of though.
DS
On 27 April 2012 23:06, Ann Sanfedele wrote:
> I've been going back and forth with this since I got back from Boston..
>
> Anyone have strong feelings about which of these is "better" ?
> The first
I've been going back and forth with this since I got back from Boston..
Anyone have strong feelings about which of these is "better" ?
The first is as shot, the second is adjusted, as you see, to straighten
it but that necessitated a different crop.
http://annsan.smugmug.com/On-the-Road-or-On
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