Re: film grain and digital

2001-09-18 Thread Collin Brendemuehl
Aaron, You must write this technique into an article for publication & submit it. It's one of the most novel & fascinating technology transition adaptions I've heard yet. >From this point on, your name is AA+ ron. :) Live long and prosper in results. Collin From: Aaron Reynolds <[EMAIL PROT

Re: film grain and digital

2001-09-19 Thread Aaron Reynolds
Collin Brendemuehl wrote: > > Aaron, > > You must write this technique into an article for > publication & submit it. It's one of the most > novel & fascinating technology transition adaptions I've heard yet. Hey, thanks for the encouragement. I wonder who to submit it to? -AA+ ron - This me

Re: film grain and digital, was Re: THE NEW PENTAX

2001-09-18 Thread Aaron Reynolds
Shel Belinkoff wrote: > I'm not sure we're talking about the same thing, so let's first be > sure that we are. I'm talking about using a digital camera that makes > the image in pixels. If you overlay pixels - which I understand are > square - with a screen made from the grain of a particular em

Re: film grain and digital, was Re: THE NEW PENTAX

2001-09-18 Thread Doug Franklin
On Tue, 18 Sep 2001 14:39:05 -0400, Aaron Reynolds wrote: > Even so, I made a record-sized version of the cover (I'm old-school > enough that I size my CD jackets so that I can print an excellent 12x12 > should the need arise), on which I could detect no moire pattern, even > though I was certain