Hi Leezy, about cutting up and reassembling film & prints...
for contact printing you are not limited to any particular size, the
construction can be as BIG as you like. It doesn't even have to be
permanent - shift the pieces around from print to print. Also, mix in some
neat physical stuff (the ki
Actually, in my junior year in high school in 1970 we did something like
this. The art teacher had obtained some lengths of clear 16mm film, and
exposed black 16mm film. We cut it up and gave it to various class members
to draw, scratch, color at will. One guy's dad had some 16mm Korean War
film, s
Anyway, there is a genre of experimental film in which the artists
just lays the film out and stamps, paints, and scratches it, then
processes it sloppily and awaits the surprises in
projection. Film frames are ignored. Registration is ignored. In this
spirit I am making a pinhole movie wit
In a message dated 12/8/00 7:23:54 AM, bpro...@acsu.buffalo.edu writes:
<< Anyway, there is a genre of experimental film
in which the artists just lays the film out and stamps, paints, and
scratches it, then processes it sloppily and awaits the surprises in
projection. Film frames are ignored. R
--- "G.Penate" wrote:
> http://www.p at ???/discussion/upload/images/tanks.jpg
Nice use of the Zone plate, and nice composition.
Cheers -
george
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>From this old home computer I couldn't see any of the images people speak
of, but I managed to go online elsewhere and see all the images at the
discussion site at last. My inspiration is renewed! I have been
interested in pinhole imagery for filmmaking purposes and love the spirit
in which pean
