This is an interesting thread and I will chime in on the Dwight development to reiterate what I said last week in response to Lightnin' Rod Terry's initial post about the production on that album... Somewhat along the lines of what Bill said of Dwight, or what David said in more general terms, it's difficult for me to understand things in terms of "over" or "under"-production; rather, it's whatever works in the circumstances, for that particular version of a song. Plus, A Long Way Home is not produced in single manner all the way through. Pete A. has produced each song for an effect they're looking for with *that* number. Some, like "These Arms," have "big" production, others (like the bluegrass-flavored "Lantern" <title?>) are relatively minimal. In any case, to my ears it's a successful case of producing for the particular song and the effects one wants on it. Go Lightnin' Rod go <g>, --junior
- RE: Hyper produced Bobby Bare Jon Weisberger
- Re: Hyper produced Bobby Bare Terry A. Smith
- RE: Hyper produced Bobby Bare Jon Weisberger
- Re: Hyper produced Bobby Bare Joe Gracey
- Re: Hyper produced Bobby Bare Terry A. Smith
- RE: Hyper produced Bobby Bare Jon Weisberger
- Re: Hyper produced Bobby Bare Terry A. Smith
- Re: Hyper produced Bobby Bare Terry A. Smith
- Re: Hyper produced Bobby Bare David Cantwell
- That overproduced Dwight Yoak... William F. Silvers
- Re: That overproduced Dwight ... Ph. Barnard
- Re: That overproduced Dwight ... Todd Larson
- Re: That overproduced Dwight ... Ph. Barnard
- RE: Hyper produced Bobby Bare Jon Weisberger
- Re: Hyper produced Bobby Bare Bob Soron
- Re: Hyper produced Bobby Bare Terry A. Smith
- Outlaws (was: Hyper produced ... Ph. Barnard
- Re: Outlaws (was: Hyper produ... Joe Gracey
- Re: Outlaws (was: Hyper produ... Will Miner
- Re: Hyper produced Bobby Bare William F. Silvers
- Re: Hyper produced Bobby Bare David Cantwell