Hi, No matter what I do in the playback engine dialog I get staticky audio
when playing back using the mac book pro's output using the pro tools
device in 10.10. If I change the hardware buffer size to it's maximum
setting I still hear the static but if I go into any earlier version of
mac OS X th
Hello all,
I realize I might be out of line here, but I did not know where else to go to
get this kind of advice. A lot of you guys are mixing for customers on a
regular basis and I wanted to get your input. I have a customer who wants me to
turn his vocals up. Which, in my opinion would blow t
People familiar with Studio Devil's excelent guitar amp emulation
software will want to check out AmpliFire, a pedal unit released by
them and the folks at Atomic Amps. It features Studio Devil
algorithms, great effects and cabinets, the ability to put your own
cabinet impulse responses on the
Think about buger King.
The client is the boss.
If the mix is great from the start. Than a louder vocal is a teaste thing.
Costumer is always right, even if they know nothing.
On Feb 26, 2015, at 10:27 AM, Chad Morrison
wrote:
> Hello all,
> I realize I might be out of line here, but I did not
More free reverb impulses! Read on:
Date: Wed, 25 Feb 2015 21:50:22 +
From: David Glenn Recording
Subject: Surprise from David Glenn Recording
Today I have something really exciting to share with you.
My buddy over in the Pensado Students Facebook Group, Joe Salyers,
took 3 full days to
Booger King!
On Feb 26, 2015, at 12:30 PM, byron harden wrote:
> Think about buger
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Do exactly as your customer ask. Now I will tell you the way to get it to work
for both you and him. Suggest that he haven't mastered and send the entire
project with him to have it mastered.let the person that does the mastering
bear the brunt of bringing that vocal back down. You send it out o
I would ask your customer what he/she is listening on, and at what volume.
If they're listening on headphones, suggest they try speakers, and at
a low volume. Even listening very quietly, you want to still be able
to hear all elements of the mix, not just the vocal.
Also, ask for a reference,
Great stuff guys! That was kind of my way of thinking, but I wanted to be sure
I was approaching it the right way. Again, I appreciate the help.
On Feb 26, 2015, at 12:48 PM, Ricky Prevatte wrote:
> Do exactly as your customer ask. Now I will tell you the way to get it to
> work for both you an
ah shoot. I'm sorry about that.
Perhaps he has a way to make links only work for those who are
subscribed to his newsletter? Sneaky!
Sorry about that folks.
At 12:07 PM 2/26/2015, you wrote:
Hey Chris,
The links don't work. They don't work when clicked upon or when cut and
pasted into browser
grate advice as well.
On Feb 26, 2015, at 1:13 PM, Chris Smart wrote:
> I would ask your customer what he/she is listening on, and at what volume.
> If they're listening on headphones, suggest they try speakers, and at a low
> volume. Even listening very quietly, you want to still be able to hea
Whoops, false alarm. Just be careful to copy/paste the whole URL if
it's showing up on more than one line.
At 02:16 PM 2/26/2015, Chris Smart wrote:
ah shoot. I'm sorry about that.
Perhaps he has a way to make links only work for those who are
subscribed to his newsletter? Sneaky!
Sorry abou
Hi Chad,
If you have the client in the control room Make sure to have them listen to
several play back options.
That way if they have half of an ear! they will hear that 3 out of the 5 play
back options you presented clearly show the vocal is to loud!
If that don't work burn a cd or whack it on
I'd love to meet the mastering engineer who can supposedly bring those
louder than already too loud vocals back down. This is just the same
thing as saying "fix it in the mix" but one stage removed. IE, not a
good idea.
My advice is simple. Give him your opinion, along with some reference
tracks.
Took it for a quick spin with NVDA. No top menues, no speech
indication of whether tabbing cycles between controls, absolutely zip
to be found in the only window I could get to in flat review mode, and
object navigation only found an "Unknown" and an empty container.
However, OCR picked up on a ton
I'm not sure the advice was to let the mastering guy fix it, but just
that the mastering guy will probably notice it right away and speak
up. as in, "can we get this fixed by whoever mixed it?" (grin)
At 02:51 PM 2/26/2015, you wrote:
I'd love to meet the mastering engineer who can supposedly
thanks Scott. I haven't fired it up yet.
At 03:10 PM 2/26/2015, you wrote:
Took it for a quick spin with NVDA. No top menues, no speech
indication of whether tabbing cycles between controls, absolutely zip
to be found in the only window I could get to in flat review mode, and
object navigation o
Fair point, re-reading it, I think you're right. Even so, it's a
riskier strategy to adopt in the first instance than attempting to
demonstrate why it's a bad idea with references IMO.
On 2/26/15, Chris Smart wrote:
> I'm not sure the advice was to let the mastering guy fix it, but just
> that th
Hello to the list!
I'm starting to work wiht PT11.3.1.
When opening PT with a blank session there are still a lot of clusters,
controls etc. left in the edit and mix whindows.
Wich ones could be switched off and what is the best way to do it?
Thanks in advance and best regards! / Martin
--
Y
just seems to open a bland dialog window on 10.10
> On Feb 26, 2015, at 11:30 AM, Chris Smart wrote:
>
> People familiar with Studio Devil's excelent guitar amp emulation software
> will want to check out AmpliFire, a pedal unit released by them and the folks
> at Atomic Amps. It features Stud
well i’m thinking about biting the bullet and buying a good mac pro for the
studio here.
I’m thinking of getting a quad core 3.7 gig processor with a 512 or maybe
terabyte flash drive. I thought about upping the ram to 32 gig. would this be
overkill. i figured that if i did this, it should more
Leave the internal drive at 512 or even 256GB if its offered. Then spend the
money you save on some decent external drives . You will need one for your
Audio drive atlas, another for back ups, and maybe another for samples if you
use a lot of SoftSynths.
> On Feb 26, 2015, at 5:56 PM, Steve Sp
shoot. OK, that's unfortunate.
I'll have a play with it here and contact the company.
Hopefully the unit itself is quite usable without the editor attached.
At 05:43 PM 2/26/2015, you wrote:
just seems to open a bland dialog window on 10.10
> On Feb 26, 2015, at 11:30 AM, Chris Smart wrote:
>
>
Then just subscribe to teh newsletter then perhaps?
On Feb 26, 2015, at 2:16 PM, Chris Smart wrote:
> ah shoot. I'm sorry about that.
> Perhaps he has a way to make links only work for those who are subscribed to
> his newsletter? Sneaky!
>
> Sorry about that folks.
>
> At 12:07 PM 2/26/2015,
the links were split between two lines. Just copy and paste
accurately and they should work fine.
At 07:56 PM 2/26/2015, you wrote:
Then just subscribe to teh newsletter then perhaps?
On Feb 26, 2015, at 2:16 PM, Chris Smart wrote:
> ah shoot. I'm sorry about that.
> Perhaps he has a way to
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