On Tuesday, May 25, 2010, Julie S wrote:
> I suggest for simplicity a symlink should not be transormable in duration
> or pitch, or velocity. However, they may appears in other tracks so the
> instrument can change, but the events otherwise stay the same.
I can agree that symlinks should not cha
Le dimanche 23 mai 2010 17:31:32, Ian Gardner a écrit :
> Following on from last week, here's that patch containing some
> fixes/adjustments I've come up with while playing around with the
> triggered segment functionality. I've tried to explain what I've done
> below, so you can pick and choose
Le mardi 25 mai 2010 14:41:43, Julie S a écrit :
> This ties in directly with the symlink discussion on another thread.
>
> ...
>
> So the to recap. The basic thought is to create another type of track
> accepts segments and adds and removes them from the triggered segments
> list.
One probl
Hello All,
> > Maybe you don't, maybe you make a rule that
> transformations are applied to
> > links only. If you want to apply a transposition to
> the underlying segment,
> > you have to open it up in an editor and move the
> notes. If you want to
> > stretch/squash the underlying segment, you
Hello All,
> > On Sunday, May 23, 2010, Ian Gardner wrote:
> >> segment, so when you press play the play head
> moves over the notes as if
> >> it's a real segment but of course totally
> unrelated sound comes out.
> >
> > Hrm. That's probably why we never enabled direct
> editing of triggered
On Tue, May 25, 2010 at 3:45 AM, D. Michael McIntyre
wrote:
> On Sunday, May 23, 2010, Ian Gardner wrote:
>> segment, so when you press play the play head moves over the notes as if
>> it's a real segment but of course totally unrelated sound comes out.
>
> Hrm. That's probably why we never enabl
